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...difficulties of this style of writing have always been acknowledged, and have required the skill and experience of authors of no mean merit, since the days of the greatest of children's epics, "Mother Goose." The difficulties arising from the age of these young writers must have been peculiarly great. Young men, if we mistake not, are not proverbially fond of children. Not youthful enough to enter into childish thoughts and feelings, they are not old enough to take that fatherly interest in them which, later on in life, will bridge the years between childhood and age in such...

Author: NO WRITER ATTRIBUTED | Title: BOOK NOTICE. | 12/18/1874 | See Source »

...learning to be uttered to our unappreciative ears? But I am not willing to admit that there is much of this pardonable pride in pedantry, if you prefer to call it so, or that all time is wasted which is spent in the minute details of an author's style. The trouble often lies in the fault-finders themselves. Most men do not care, or are too indolent to take the trouble, to "grasp the action as a whole"; it is even often considered "a low trick," and not a proof of some knowledge of his duties, when an instructor...

Author: NO WRITER ATTRIBUTED | Title: CLASSICS AT HARVARD." | 12/18/1874 | See Source »

...Philip Sidney and Epaminondas, as illustrating Chivalry and Patriotism. These figures, which will be about four feet ten inches in height, are to occupy the greater portion of the spaces above the ventilators, in the two parts of the window under the trefoil; around them, in a style corresponding with the subject, will run a decorative border, which, in the Sidney window, will properly be Elizabethan, and in the Epaminondas window, Grecian, and, above, there is to be a belt with the names of the subjects. The ventilators underneath are to be occupied by representations of episodes appropriate...

Author: NO WRITER ATTRIBUTED | Title: MEMORIAL WINDOWS. | 12/18/1874 | See Source »

...should follow in studying our own literature. Surely no rational being would deny that in reading a great play in any language, the object is, first, to grasp the action as a whole; secondly, to learn the author's distinctive ideas and opinions; thirdly, to become familiar with his style; and finally, to descend to the details of grammar, of philology, of history, of geography, etc. But with us this order is reversed, and "the finest literature of the world" is buried out of sight under a mass of important nothings, scholastic notes and comments. Of course this averment will...

Author: NO WRITER ATTRIBUTED | Title: GREEK AT HARVARD. | 12/4/1874 | See Source »

FIRST and foremost, a word to some half-dozen Exchanges in the West, who have just received our first issue of the year, and think to fill up their attenuated sheets by an attack on the style of matter in ours. Did it never occur to these children of the prairies that we do not depend absolutely on our exchange-list for support? Let them accept with thankfulness the food furnished them, remembering that even muscular literature is better than that of the whining stamp...

Author: NO WRITER ATTRIBUTED | Title: OUR EXCHANGES. | 11/20/1874 | See Source »

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