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Word: styling (lookup in dictionary) (lookup stats)
Dates: during 1910-1919
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Usage:

Even Mr. Stafford writes "differ with" when he means "differ from." The editors of the Monthly, who always aim it produce articles of significant substanceshould not forget the importance of good style...

Author: By G. H. Maynadier, | Title: Uneven Number of Monthly | 1/13/1915 | See Source »

There remain to be mentioned the editorials, which are sound in substance and easy enough in style, though a little perfunctory; Mr. Thacher Nelson's verse, "After Rain," which has some good lines but some inapt words (does a road sough, for instance?); and a thoughtful, well-written article by Mr. Earle Stafford, "Humanity and Sanity," on General von Bernhard's now famous book...

Author: By G. H. Maynadier, | Title: Uneven Number of Monthly | 1/13/1915 | See Source »

...series of six lectures on "The True Nature of Cardinal Newman's Genius," which will continue on Tuesdays and Fridays until completed. The sub-titles of the various talks will be: 1. Newman and the Critics: 2. The Unity of Newman's Work; 3. The Courses of Newman's Style; 4. Newman's Philosophy; 5. Personality in Apologetic; 6. Newman's Psychological Insight...

Author: NO WRITER ATTRIBUTED | Title: New Lowell Institute Courses | 1/4/1915 | See Source »

...cover, in which T. Sizer '16 shows the Christmas exodus in a well-received drawing with stained glass shadow motif. The prologue is a lyric, suggesting "ye oldene tyme," and is appropriately followed by E. E. Hagler's frontispiece, "Under the Mistletoe," done in the ante-bellum crinoline style. After a realistic diary of the musical club's western trip by H. Wentworth '17, one comes to the editorials...

Author: NO WRITER ATTRIBUTED | Title: About Lampy's Christmas Number | 12/21/1914 | See Source »

...Richard Andrew, Instructor in the Massachusetts Normal Art School, will discuss the subject, "Why an Artist's Style Changes" in the Painting Galleries at 3.30 o'clock...

Author: NO WRITER ATTRIBUTED | Title: Two Lectures on Art Tomorrow | 12/19/1914 | See Source »

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