Word: stuttgart
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Dates: during 1970-1979
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...moment of intensive, moving theatricality-the visual and emotional high point of John Cranko's Traces, which was given its American première last week at Manhattan's Metropolitan Opera House by the magnificent Stuttgart Ballet. Traces is the portrayal of a woman who has escaped from totalitarian horrors but has yet to come to terms with those past agonies. Her present is visualized by some amiable bourgeois friends and a courtly but uncomprehending lover (Heinz Clauss...
...delegation, composed of Protestant, Roman Catholic and Jewish antiwar clergymen, hopes to climax its visit in Rome with an audience with Pope Paul. It will also travel to the Hague, Bonn and Stuttgart to discuss the war and the religious community's response...
Culture also costs more, as do fun and games. Top tickets for the Stuttgart Ballet have risen from $8 to $9, and for one Wagner Festival performance in Bayreuth they have climbed from $28.60 to $31.75. Spanish bullfights are up roughly 8%, to $14 for the choice, shady seats...
When Jahn opened his second restaurant in Stuttgart, he wanted a suitable name, redolent of Austria. From Johann Strauss's Tales from the Vienna Woods, inspiration struck. Jahn traveled to the U.S. "to learn the system"-and then added a thick Germanic accent...
...Romeo differs from the more familiar versions presented by the Stuttgart, Bolshoi, Royal Danish Ballet and England's Royal Ballet. Theirs are full-length, three-act pieces that use the muscularly bejeweled Prokofiev score. Tudor's 50-minute ballet is based on several wetly romantic pieces by English Composer Frederick Delius. Where Prokofiev pants, Delius sighs; where the Russian stomps, the Briton floats. Tudor, a pioneer in bringing psychological realism to ballet, matches the soft, antique mood of the score. The gemlike production looks like a Botticelli painting in motion...