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Word: studioful (lookup in dictionary) (lookup stats)
Dates: during 1950-1950
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Usage:

...grotesquely twisted, hysterical-seeming portraits. When the Germans took Paris, Picasso had fled to the south of France. Shortly afterwards he decided to return. "Simple Nazi soldiers used to visit me," says Picasso, who was considered too valuable to molest, even though Resistance leaders sometimes met at his studio. "When they left I presented them with souvenir postcards of Guernica...

Author: /time Magazine | Title: Art: Captain Pablo's Voyages (See Cover) | 6/26/1950 | See Source »

...Paris was liberated, he copied a watercolor sketch by Poussin "as an exercise in self-discipline." He greeted the first American soldiers who came to his studio with kisses, exclaiming: "You two are so lovely...

Author: /time Magazine | Title: Art: Captain Pablo's Voyages (See Cover) | 6/26/1950 | See Source »

Fernand Léger looks hard as flint at 69, lives in a chaotically cluttered Montparnasse studio, and has 100 pupils-most of them ex-G.I.s. Léger's own Leisure seems half daguerreotype and half poster. It shows that he himself has come a long way from the brash, machine-tooled "Tubist" abstractions of his early days. He painted it during World War II, which he spent in Manhattan. "Because of the gasoline shortage," he recalls, "the city was suddenly teeming with bikes, and I was much impressed by the many attractive girls I saw pedaling...

Author: /time Magazine | Title: Art: Captain Pablo's Voyages (See Cover) | 6/26/1950 | See Source »

...bones to embody in the ceramics he is making nowadays. Braque and Picasso were once Montmartre pals, painted almost indistinguishable cubist pictures. After the two parted, Braque stuck with cubism, gradually developed it into the tricky, fluid and elaborate medium of expression he employs today. In his spotless Paris studio, Craftsman Braque works at his complex, heavily textured canvases slowly and with obvious enjoyment. "The fun," he says, "is that when you begin a picture you never know what it's going to look like. Each new work is a journey into the unknown." The Terrace represented a twelve...

Author: /time Magazine | Title: Art: Captain Pablo's Voyages (See Cover) | 6/26/1950 | See Source »

While most of the U.S. movie industry was prudently cutting production costs at home last week, its biggest studio was on a spending jag in Rome. Using $4,000,000 in blocked Italian lire and $1,000,000 in frozen sterling (for British actors), M-G-M began production on what promised to be the most colossal film spectacle of all time...

Author: /time Magazine | Title: Cinema: Hollywood on the Tiber | 6/26/1950 | See Source »

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