Word: studioful
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Dates: during 1950-1959
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...such a frenetic pace. To Miss Monroe's chagrin, Wilder announced to the New York Herald Tribune's Joe Hyams (if memory serves) that he would never, positively never, make another movie with Miss Monroe. She should promise to be a good girl forever and ever on the studio lot, because Wilder and Monroe are a stunning combination...
Nobody loves Hammer more than a Windsor butcher who has grown fat on selling the studio his offal: lamb tongues, entrails, eyeballs. Such "authentic art" is a priceless asset to Hammer, which also fills theater lobbies with promotional displays of headless bodies floating in tanks...
...keeps 100 or so writers busy. (One of them, Frank Gruber. once wrote four scripts in four days.) A great many of the shows have shoddy plots, ludicrous situations. They are "shot from the hip," as one director puts it, in three days or less, "take what you get." Studio filmed for the most part, they are ironically known in the trade as "four-wall westerns-as big as all indoors." It hardly seems the sort of climate in which creativity could flourish and the legend grow...
...were made for each other, and it was love at first sight. The first real feature movie ever made, The Great Train Robbery (1903), was a western that introduced to the public a man who soon became the first of the great horse-opera heroes: Broncho Billy Anderson, a studio janitor who was drafted as a masked bandit. Hard on Broncho Billy's tracks came William S. Hart, a Minnesota farm boy who grew up among Indians. He rode a beautiful paint horse named Fritz, and when they stood side by side, it was hard to tell them apart...
...solid, and the shooting instructors were taking in more money than the psychoanalysts. Horses were making more than people-up to $100 a day, while the average extra was getting $22.05. And the Hollywood hills were alive with "Method Cowboys" who would display their diplomas from the Actors' Studio at the drop of a Stetson...