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Last week in a brightly lit room at Lawrence Livermore National Laboratory in Livermore, Calif., the first production model of the Cray-2 gurgled and glowed, and a nearby printer spewed out a string of characters: s905. B D/U WO/F 06/04 15:24:22 16a. Software Manager Dieter Fuss stared at the message and interpreted it for the assembled Livermore technicians and executives: "It just came alive and said, 'I'm ready...

Author: /time Magazine | Title: Computers: A Sleek, Superpowered Machine | 6/17/1985 | See Source »

There is a lot of first-string instrumental talent on Empire Burlesque: Ron Wood of the Rolling Stones present and Mick Taylor of the Stones past; Drummer Jim Keltner; and most especially the drum and bass team of Sly Dunbar and Robbie Shakespeare, who give the record a funky, rumpled-up, island-inflected, rhythmic drive. With all this professional sheen, Empire Burlesque is still startling, an unexpected flash-forward. Like a sudden cut in a film, this record is disorienting at first -- Where did this come from? What's going on? -- but so well judged and timed that after...

Author: /time Magazine | Title: Music: Here's What's Happening, Mr. Jones | 6/10/1985 | See Source »

DIED. Harold Hecht, 77, independent film producer who followed a string of Technicolor swashbucklers in the mid-1950s with the low-budget, Oscar-winning Marty; of cancer; in Beverly Hills. Hecht was a struggling agent when he teamed up with Actor Burt Lancaster; during the next 15 years, the pair made such notable films as Separate Tables and Birdman of Alcatraz...

Author: /time Magazine | Title: Milestones: Jun. 10, 1985 | 6/10/1985 | See Source »

...String Quartets...

Author: By Jonathan M. Moses, | Title: Worth The Price of Admission | 6/6/1985 | See Source »

...mistake there. Sellars has let his theatrical imagination run wild. The stage of the Eisenhower Theater, stripped to the pipes and rafters, is a cavernous expanse of catwalks, stairways, trapdoors and art deco modules that glide across the stage unloading and gobbling up performers. A string quartet provides onstage musical accompaniment, while the actors (their faces often decorated with red or green war paint) are showered with a hodgepodge of spotlight effects meant to simulate movie close-ups. Most of the 3 1/2 hours is played at fever-pitch intensity; yet the climactic dueling scene is performed in virtual darkness...

Author: /time Magazine | Title: Theater: Running Wild with a War-Horse the Count of Monte Cristo | 6/3/1985 | See Source »

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