Word: streisand
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...proclaimed the glowing critique, "the range, expert intonation, a sensitive feeling for the lyrics and enough dynamic variety to preclude the danger of overkill." A concert by Barbra Streisand? How about Pia Zadora? Yes, Pia Zadora, who confesses that she went out and bought five copies of the rave by Los Angeles Times Critic Leonard Feather, "hoping they wouldn't print a retraction." They didn't, and in the ensuing three months Zadora's U.S. concert tour has radically improved her image: cinema's laughingstock has suddenly blossomed into a serious singer of such pop classics...
...pictures. Susan Seidelman's Desperately Seeking Susan raked in $27.5 million on a $5 million budget and graced many a ten-best list. Now that, as Seidelman notes, "women directors are no longer looked at as novelty items," their more established sisters can get back into the act. Barbra Streisand, 43, the all-around auteur of 1983's Yentl, will soon direct an adaptation of the AIDS play The Normal Heart. And Elaine May, 53, an early-'70s trailblazer with her comedies A New Leaf and The Heartbreak Kid, is currently directing Warren Beatty and Dustin Hoffman in Ishtar...
...Gershwin. Many of his hits, such as Let 's Fall in Love, Blues in the Night, That Old Black Magic and One for My Baby (And One More for the Road), survived forgettable Broadway and Hollywood musicals to become repertoire standards for gifted interpreters like Frank Sinatra and Barbra Streisand...
...Daily Show airs on a comedy channel. Coulter goes on actual news programs and deploys so much sarcasm and hyperbole that she sounds more like Dennis Miller than Limbaugh. Consider an exchange on Fox News in June 2001 with Peter Fenn, a Democratic strategist. At the time, Barbra Streisand had suggested that Californians practice more conservation, to which Coulter responded...
...Streisand reneges, or Auerbach misunderstands. In any case, Bach is canned, United Artists is sold to MGM, and La Ronde, Hollywood executive-style, continues. Bach writes about all these shenanigans with due sardonic edge, and includes deft vignettes about Robert De Niro, Woody Allen, Peter Sellers and Martin Scorsese. But his portrait of Cimino, who did not cooperate in the writing of the book, strains for a balance that Bach finally cannot strike. He berates Cimino for rampant egomania and describes a conflict of interest regarding the director's choice of a location. Land that United Artists had cleared...