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Cadaval says he envisions a wide range of transportation, ranging from walking to driving, as well as brand new electric “tram,” or streetcar, bringing people back and forth between Harvard’s campuses...

Author: By Alex L. Pasternack and Lauren A.E. Schuker, CRIMSON STAFF WRITERSS | Title: Harvard Fords the River | 2/3/2003 | See Source »

...case that this is the death of two or three Broadway eras. He came to his calling - caricaturist to the stars - in the 20s, when Broadway was the face of American sophistication and sizzle. He was there when Gershwin presented "Porgy and Bess," when Tennessee Williams drove his "Streetcar," when "Guys and Dolls" and "Hair" and "Phantom" opened. And he was there as Broadway launched yet another season inattentive to the young generation, inadequate for the old. Hirschfeld outlived not only most of the people he drew but, really, the medium itself...

Author: /time Magazine | Title: That Old Feeling: The Fun in Al Hirschfeld | 1/29/2003 | See Source »

...guitar wagging insolently like the first electric phallus. No wonder the onlookers gasped and giggled. They knew they were present for a cultural sea change; and their animosity was a necessary impediment for the invader to overcome. Exactly the same abrasion is evident in the 1951 film of "A Streetcar Named Desire," in the moment when Vivien Leigh's fluttery Blanche duBois is first confronted with Brando's brutish Stanley Kowalski. It is the instant, epochal collision of old and new, of refinement and feral energy, of a sensibility on the way out and an attitude crashing through, ready...

Author: /time Magazine | Title: That Old Feeling: Happy Birthday, Elvis | 1/8/2003 | See Source »

...London also boasts the finest stage rendition I've seen of "A Streetcar Named Desire," with Glenn Close as Tennessee Williams' fractured heroine Blanche duBois. Physically, Close seems wrong: she is pointy of face, sinewy of frame. She lacks those soft features that Blanche wants caressed by soft lights; Vivien Leigh's lingering luster, in the first London production and in the 1951 movie, convinced audiences well into the third act that Blanche was right about the world, and the brute Stanley Kowalski (Brando) was wrong. Close's angularity telegraphs from her first entrance that Blanche...

Author: /time Magazine | Title: That Old Feeling: Theater Past, Theater Perfect | 11/24/2002 | See Source »

DIED. MIA SLAVENSKA, 86, prima ballerina of the Ballet Russe de Monte Carlo; in Los Angeles. The classically trained, red-haired virtuoso was celebrated for her range, beauty and theatrical flair in such works as Giselle, Coppelia and a dance adaptation of A Streetcar Named Desire...

Author: /time Magazine | Title: Milestones Oct. 21, 2002 | 10/21/2002 | See Source »

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