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Results of matches in the first round played yesterday follow: C. W. Johnson defeated Rounds, 7-5, 6-2; Allen won from Hubbard by default; Schwartz defeated Kunitz, 6-3, 6-2; Hopkins defeated Strauss by default; Pinkham defeated Hell, 6-4, 6-2; Salter defeated Reynolds, 6-3, 3-6, 6-3; Welskoph defeated Pescok, 6-3, 6-4; Beebe Center defeated Casson, 7-5, 6-2; Davis defeated Beaman, 6-2, 6-1; Webster defeated Cutler...

Author: NO WRITER ATTRIBUTED | Title: SEEDED PLAYERS HAVE NO TROUBLE ADVANCING | 10/18/1923 | See Source »

...Upjohn defeated Hamlen, 6-2, 6-3; Carpenter defeated Hazard, 6-2, 8-6; Scully defeated Williams, 6-1, 6-0; Fetter won from Walr by default; Boone defeated McGill, 6-3, 6-3; Roots defeated Rickford, 6-4, 6-1; Guild defeated Strauss, 6-1, 6-1; Craig defeated Morris, 7-5, 6-4; Shapiro defeated Forester, 6-3, 6-0; Solomon defeated Geuld...

Author: NO WRITER ATTRIBUTED | Title: UNION TOURNAMENT SHOWS LITTLE BRILLIANT TENNIS | 10/17/1923 | See Source »

...matches scheduled for today on the Jarvis Courts at 1.30 o'clock are: Tarplin vs. Manning, Russell vs. Woodeward, Salter vs. Reynolds, Gallary vs. Jenney, Casson vs. Beebe-Center, Willard vs. Stralem, Raines vs. Merian, Montenayor vs. Huntington, Odden vs. Yap, Williams vs. Sailly, Waly vs. Tetler, Guild vs. Strauss, Schwarz vs. Kunitz...

Author: NO WRITER ATTRIBUTED | Title: UNION TOURNEY ENTERS INITIAL ROUND TODAY | 10/16/1923 | See Source »

...music of or relating to the dance; that he finds grateful any bit which he can visualize. Conspicuous was yesterday's program, headed by the Seventh Symphony aptly, we think, dubbed by Wagner, "apotheosis of the dance"; and continuing through more specific apotheoses as conceived by Dukas and Strauss. Conspicuous also was Brahms, conspicuously dull and and diffuse, the one dry spot on an otherwise attractive program...

Author: NO WRITER ATTRIBUTED | Title: THE CRIMSON PLAYGOER | 10/13/1923 | See Source »

...culmination, there was Strauss's dance of Salome, To him who has not heard this music, it seems inconceivable that the rather boisterous and broad humorist of "Tiel Eulenspiegel" or the Strong Superman of "Heldenleben" should be able even to approximate the essentially un-Teutonic, Wilde quality. That voluptuousness would seem hardly to be appreciated by an essentially broad and virle race; its subtleties would seem not for them. One hearing of the dance of Salome is convincing, however; rarely not even in the Tannhauser Bacchanale, has such voluptuousness been distilled into music...

Author: NO WRITER ATTRIBUTED | Title: THE CRIMSON PLAYGOER | 10/13/1923 | See Source »

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