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...under a newly created, civilian-controlled Atomic Energy Commission in the hope that its pursuits would be mainly peaceful. Yet some scientists were already warning that the U.S. atomic monopoly could not long be maintained, that the Russians were making progress. A far-sighted AEC commissioner. Rear Admiral Lewis Strauss, argued for a high-altitude patrol and seismographic network to detect Russian atomic explosions when and if they came. But AEC's idealistic first chairman, David Lilienthal, decided it was not needed. Finally, aroused by Strauss, the Pentagon picked up the tab, got AEC to furnish the technical knowledge...

Author: /time Magazine | Title: The Atom: For Survival's Sake | 5/4/1962 | See Source »

...Castle. When the test-detection system that Strauss had demanded disclosed that the Russians had set off their first A-bomb on Aug. 29, 1949, a new controversy split AEC and the nation's atomic scientists. Should the U.S. start a crash program to develop a hydrogen bomb? Strauss pleaded for it, but Lilienthal and the other three commissioners argued that the U.S. had a sufficient atomic superiority. J. Robert Oppenheimer, head of a general advisory commit tee of scientists to AEC, maintained that the doubtful project would only divert personnel from the proven A-bomb program. To Strauss...

Author: /time Magazine | Title: The Atom: For Survival's Sake | 5/4/1962 | See Source »

...activist economic advisers, who want him to intervene more often and more forcefully in the affairs of business. At very least, the atmosphere was plainly not conducive to price increases of any kind. In San Francisco, the nation's "blue jean king," President Walter Haas of Levi Strauss & Co., had planned to raise his own prices by 3%-though he had condemned the steel price rise as "unconscionable." In one of the week's most notable non sequiturs, Haas quickly withdrew his raises because "although our business has absolutely no relation to steel, we feel that the impact...

Author: /time Magazine | Title: Business: Impact & Comment | 4/20/1962 | See Source »

...lied is a highly perishable article--a gracious and intimate form of musical entertainment which, in the hands of singers less gifted than Elisabeth Schwarzkopf, rarely finds a congenial concert setting. On Wednesday night, Madame Schwarzkopf, assisted by her excellent pianist John Wustman, offered lieder of Schubert, Wolf, and Strauss to a large audience at the Harvard Square Theatre, and it is a measure of her artistry that every nuance of these songs, every dramatic point and humorous inflection, was as telling as it might have been in the living-room of someone's home...

Author: By Kenneth A. Bleeth, | Title: Elisabeth Schwarzkopf | 4/20/1962 | See Source »

...evening ended with Richard Strauss, a composer of whom Madame Schwarzkopf is particularly fond. Listening to Schlechtes Wetter, one knew why. The song is about a mother who will bake a cake for her lazy daughter who sits at home. It ends in a soaring waltz straight from Der Rosenkavalier: Schwarzkopf's voice here was all whipped cream and Sachertorte. Not satisfied with this dessert, the audience demanded three encores before the soprano took the bouquets of roses from the piano as a sign that the concert was over. The reluctance to leave was understandable: it was a treasurable recital...

Author: By Kenneth A. Bleeth, | Title: Elisabeth Schwarzkopf | 4/20/1962 | See Source »

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