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Word: steiner (lookup in dictionary) (lookup stats)
Dates: during 1930-1939
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Escape This Night (by Robert Steiner & Leona Heyert; produced by Robinson Smith) will be remembered, if at all, as "the mystery story laid in the 42nd Street Public Library." For out of a welter of irrelevant, incompetent and immaterial crimes, what jut up solidly are Designer Harry Homers amazingly clever reproductions of Manhattan's famed library-reading room, Braille room, entrance lobby, even one of the snooty stone lions that guard the portals. Roaming through the vast institution with more sinister motives than are common to real life, a blind woman (Ellen Hall), her husband (Arnold Korff...

Author: /time Magazine | Title: Theatre: New Plays in Manhattan: May 2, 1938 | 5/2/1938 | See Source »

...photographs of Paris in the early 1900s a great deal more than Steichen's highly lit personalities in Vanity Fair. Steichen's love of lighting effects and studio magic (see cut) seemed to them stagy. Among these photographers were Berenice Abbott. Edward Weston, Paul Strand. Ralph Steiner and Walker Evans. The virtue of photography, Evans recalled, lay in the "difference between a quaint evocation of the past and an open window looking straight down a stack of decades...

Author: /time Magazine | Title: Art: Career, Camera, Corn | 1/10/1938 | See Source »

...silly, The Garden of Allah belongs to that dignified class of pictures which reviewers customarily praise for the music and photography. Unfortunately for Hollywood, cinemaddicts go to the theatre not to see the latest wonders of cinematography but to be entertained. That in this case both music, by Max Steiner, and color photography, by Cameraman W. Howard Greene and Color Designer Lansing C. Holden, are genuinely superb, will doubtless not suffice to interest 1936 in two young lovers who, with money to burn, can apparently find nothing better to do than brood about the life hereafter. If The Garden...

Author: /time Magazine | Title: Cinema: The Garden of Allah | 11/30/1936 | See Source »

...picture. Rather than have the film made on contract by an outside organization, he was put on the Resettlement Administration's payroll. By the time Lorentz was ready to begin shooting last September, he had employed a trio of cameramen, all able, all Left-wing in politics. Ralph Steiner, 37, gained fame as a still photographer, currently earns his bread-&-butter doing color work for Ladies' Home Journal, has made several cinema shorts including H2O, Surf and Sea Weed, Pie in the Sky. Paul Strand, one-time protege of Alfred Stieglitz. did a film called Redes...

Author: /time Magazine | Title: Cinema: Documented Dust | 5/25/1936 | See Source »

Lorentz and his crew filmed grass, cattle, dust in half a dozen western States, wound up in California. Farmers performed easily before the camera, found nothing odd in re-enacting their personal tragedy. At one point Photographers Steiner, Strand and Hurwitz grew fretful because The Plow That Broke the Plains was not forceful enough. When they saw the finished job. however, they withdrew objections. By that time two more notable names were on the film's credit list, on the Federal payroll: Composer Virgil Thomson (Four Saints in Three Acts), who provided a musical score, and Alexander Smallens...

Author: /time Magazine | Title: Cinema: Documented Dust | 5/25/1936 | See Source »

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