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...Kline says. She immediately became involved with the dramatic arts at Harvard. Her freshman year she performed with, and was a board member of, the Harvard-Radcliffe Gilbert and Sullivan Players, performed in the Dunster House Opera, and worked on light design in the Loeb Experimental Theater. From her start with musical theater, Kline moved to nearly every facet of dramatic arts possible. Her junior year she served as president of the Harvard-Radcliffe Dramatic Club, and tried to be involved with nearly all of their productions in some form or another. Allison has produced two works during her time...
...looking at them more as a way to affect people on a visceral level, in a non-cognitive, aesthetic manner.” Now, with graduation fast approaching Videt says that while her plans might not be concrete, her goal is to start a theater company. She expects to work with several other current and former Harvard students that she has collaborated with in the past. Though Videt hopes to continue developing “The Space Between,” the company will not necessarily be grounded in any sort of theme such as the link between theater...
...condiment routine: “I take the mustard, and I move from left to right, up and down like this,” he motions on the table, “ and make little, you know, sinusoidal curves. Then I take the ketchup, and I start at the same point I started the mustard, and I do the complete inverse. And then I turn it 90 degrees and I do the same thing.” He chuckles, “It just happened one day, and it occurred to me that it was perfect...
After 15 years as a high-tech entrepreneur and a brief stint at the Harvard Kennedy School studying environmental policy, Bill M. Haney ’84-’86 decided to start making movies. “I didn’t go to school for it, didn’t study it. I just found people who were thoughtful and who knew a lot about film and I listened to them,” Haney says. 13 movies later, the writer/producer’s new feature film, “American Violet,” combines...
...receiving the award (“Somebody at Harvard must think I do something for the ‘public good.’”), he notes the poetic justice of capping his career with a medal from the institution where he got his start. “It’s very nice to get something from Harvard, where I set out from long ago,” he says. “There is a certain symmetry...