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Though this particular episode is fiction, occasional rebellion did occur in the death camps. The story of those camps has been filmed with subtler skill in such movies as Night and Fog and The Pawnbroker. But Director Frank Beyer's stark documentary style and the unaffected pathos engendered by his actors-all unknown in the West-underline a truth that bears reiteration. At a time of utmost degradation, man still has the will to endure, and to prevail...

Author: /time Magazine | Title: Cinema: In the Charnel House | 5/5/1967 | See Source »

...week, plus a hefty cut of the Tonight earnings, which run to about $20 million in advertising billings a year. Sure enough, Carson won a "substantial" (if not 100%) increase and the authority to make some personnel changes. As a result, Producer Art Stark, who ran the program for 4½ years, will get a new assignment. However, Carson's brother Dick will stay on as director...

Author: /time Magazine | Title: Television: Here's Johnny | 4/28/1967 | See Source »

Nixon, on the other hand, was a high definition figure, whose features were too stark and hard for television. It was too obvious to the viewer what sort of man Nixon was and this reduced the interest in intensive participation. But if the debates had been broadcast on radio-a medium which requires much less participation than television-Nixon would have won easily...

Author: By Gerald M. Rosberg, | Title: UNDER MARSHALL LAW: The book...is an extension...of the eye | 4/21/1967 | See Source »

...stark fact remains that Negroes are dying for what the President calls "freedom" and "democracy" in Vietnam, while their relatives are treated as second-class citizens back in the states. Dr. King justly feels that this incongruity, as well as the damper the war has placed on anti-poverty measures, should be impressed on Negroes' minds...

Author: NO WRITER ATTRIBUTED | Title: Dr. King and Vietnam | 4/15/1967 | See Source »

...only thing for addicts is ex-addicts," insists Lynn Sexton, 19, one of the founders of the Encounter program. "We know all the self-delusions and games addicts play, and the addicts feel we are sympathetic to the problem." For no matter how stark a film is, it is far less forceful than the impact of the face-to-face confrontations that are the key to Encounter's success. "I just tell them that almost every friend I had when I was on drugs is either dead or in jail," says another Encounter founder, Jan Stacy...

Author: /time Magazine | Title: Youth: Turning Off | 3/31/1967 | See Source »

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