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Hour of the Wolf. Ingmar Bergman's best film in a long time poses some weighty questions and has the sense to treat them violently in stark and terrifying images reminiscent of Hitchcock (Bergman's favorite director). If you are interested in current discussions of artistic impotence, the dementia of Bergman's protagonist (Max von Sydow) becomes the film's focal point. I found myself more involved by his wife (Liv Ullman) who, in loving him, tries to share his madness but cannot ultimately follow...

Author: NO WRITER ATTRIBUTED | Title: The Ten Best Films of 1968 | 1/14/1969 | See Source »

Anders: The horizon is very, very stark. The sky is pitch-black and the moon is quite light. The contrast between the sky and the moon is a vivid dark line...

Author: /time Magazine | Title: Nation: THE VOYAGE: POETRY AND PERFECTION | 1/3/1969 | See Source »

...Stark Contrast...

Author: /time Magazine | Title: Nation: THE VOYAGE: POETRY AND PERFECTION | 1/3/1969 | See Source »

...relaxed manner and cheerfulness of the astronauts during lunar orbit was in stark contrast to their mood early Tuesday morning when Apollo was approaching the moon. As time neared for the mission's most important decision-whether to allow the spacecraft simply to whip around the moon and head back toward earth or to fire the Service Propulsion System (SPS) engine and place the craft in orbit-both the astronauts and their Houston controllers fell strangely silent. Only essential voice communications were exchanged, and these were monosyllabic and tension-filled...

Author: /time Magazine | Title: Nation: THE VOYAGE: POETRY AND PERFECTION | 1/3/1969 | See Source »

Tamara Long, as the slinky heavy, brandishes a flaming Morganitic torch for her Mister Man, and Sally Stark, as Ruby's peroxided pal, belts a note almost as plangent as the great Merman's. The comic delight of the show, though, is Bernadette Peters, whose Ruby can simultaneously sing and dance up a storm that puts all New York (including Queen Mane of Rumania) at her feet. She can also lament her unrequited love with a tear that streaks mascara down her cheek in a lugubrious perfection of timing...

Author: /time Magazine | Title: Off Broadway: Friends from the '30s | 1/3/1969 | See Source »

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