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...college recruiters are raiding orchestras with all the fervor of pro-football scouts. At Indiana University, for instance, the music department lists 40 teachers from top U.S. orchestras, including three former concertmasters and 15 first-desk players, and such internationally ranked soloists as Violist William Primrose and Cellist Janos Starker. Boasting five campus orchestras and the resident Berkshire String Quartet, Indiana last year sponsored 501 musical events. Snaring topflight musicians is easy, says Indiana's Dean Wilfred Bain (with some exaggeration), because "people who push brooms are treated better than symphony players." Beyond that, the lures of the campus...

Author: /time Magazine | Title: Orchestras: Flying the Coop | 10/7/1966 | See Source »

...teaser course for the uninitiated, moved on to headier stuff by Vaughan Williams, Frederick Delius and William Walton. The orchestra more than lived up to its reputation as one of the world's finest ensembles. Bolstered by such first-rank performers as Composer-Conductor Aaron Copland, Cellist Janos Starker, Violinist Jaime Laredo and Pianist John Ogdon, the festival was off to an impressive start...

Author: /time Magazine | Title: Festivals: Not Just Naked Girls | 8/12/1966 | See Source »

...TERRY STARKER...

Author: /time Magazine | Title: Letters: May 27, 1966 | 5/27/1966 | See Source »

BRAHMS: SONATAS FOR CELLO AND PIANO, NOS. 1 AND 2 (Mercury). Cellist Janos Starker and Pianist Gyorgy Sebok play the duets with the broad range of feeling demanded, especially in the great F major sonata (No. 2). But they never rhapsodize. Among his fellow romantics, Brahms was a classicist; so, one gathers from these banked fires, is Starker...

Author: /time Magazine | Title: Television: Apr. 1, 1966 | 4/1/1966 | See Source »

Modern Wealth. But the cello did not really establish itself as a solo instrument until Pablo Casals developed its rich potentialities in the early years of this century. As a result, there is a dearth of music written for the cello by the great classical and romantic composers. Starker, a professor of music at Indiana University since 1958, takes heart from the wealth of cello compositions being turned out by modern composers. But he admits that the instrument's sober reputation might hamper its achieving the popularity of its high-strung relative, the violin...

Author: /time Magazine | Title: Cellists: The Sad Hero | 10/16/1964 | See Source »

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