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DIED. Eleanor Powell, 69, exuberant, leggy tap dancer whose nimble heels and toes propelled her to stardom in 1930s and '40s Hollywood musicals; of cancer; in Beverly Hills. In her first film, George White's Scandals (1935), Powell covered four miles in her dance routines, and in Broadway Melody of 1940, she gloriously matched Fred Astaire tap for tap. Those movies, and such others as Born to Dance (1936), Rosalie (1937) and Lady Be Good (1941), won her critical acclaim as the best woman tap dancer on film...

Author: /time Magazine | Title: Milestones: Feb. 22, 1982 | 2/22/1982 | See Source »

...part of Frances' fictionalized friend Harry York is taken by another part-time movie star, Playwright Sam Shepard, who "picked this movie because it's like a Greek tragedy." But one with a happy ending. Now the stardom that Frances Farmer never quite achieved in her prime is likely to be hers a dozen years after her death...

Author: /time Magazine | Title: Show Business: Morning Comes for Frances | 2/15/1982 | See Source »

...Little Theater with a vehicle no sturdier than balsa wood, but she never lets the audience forget that she is driving it hell-bent on its voyage to nowhere. Author William Alfred, Abbott Lawrence Lowell professor of the humanities at Harvard, launched her on the road to stardom in his play Hogan's Goat, about political shenanigans among the Brooklyn Irish in the 1890s. Now back on the same turf, Alfred mounts a sentimental archaeological dig for nostalgic relics dating from the years 1923 through...

Author: /time Magazine | Title: Theater: Nostalgia Nut | 2/8/1982 | See Source »

Natalie Wood, 43, who, in a career that began at age 4, acted in 45 films, received three Academy Award nominations. Growing into a wholesome sensuousness, she became one of the few child actresses to make the transition to adult stardom...

Author: /time Magazine | Title: Images: IMAGES: Farewell | 12/28/1981 | See Source »

...everything can be blamed on Gary Coleman. The sassy black kid-the slick-speaking bro who scores points off the ofay-goes back to the Good Times of the mid-'70s. But it was Coleman, on Dijfrent Strokes (NBC, Thursdays at 9 p.m.), who parlayed his cheekiness into stardom. And now a horde of white child actors have co-opted the game. It must be stopped...

Author: /time Magazine | Title: Video: Exit Smutcoms, Enter Sweetcoms | 11/23/1981 | See Source »

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