Word: stanislaw
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Skocpol, Scanlon and two other fellowship winners--Jurzykowski Professor of Polish Language and Literature Stanislaw Baranczak and Littauer Professor of Hebrew Literature and Philosophy Isadore Twersky--all said they planned to develop their Guggenheim-sponsored research into books...
...Solidarnosc! Solidarnosc!" "You have achieved so much," she told Walesa and other Solidarity officials after lunch at St. Brigid's presbytery. Polish intellectuals pointed out a crucial difference between Thatcher's efforts to rein in British trade unions and Rakowski's confrontation with Solidarity. Unlike Poland's government, said Stanislaw Gebethner, a political science professor at the University of Warsaw, "Mrs. Thatcher carries legitimate power through democratic elections...
Stripped to essentials, Fiasco is simply another novel about earthlings attempting to contact aliens in outer space. Yet those who have read any of Polish Author Stanislaw Lem's numerous books know that even the most timeworn subject can be the occasion for fresh surprises. Lem's international reputation rests on two qualities rarely found together in one mortal: he is both a superb literary fantasist, a la Jorge Luis Borges and Italo Calvino, and a knowledgeable philosopher of the means and meanings of technology. Lem, 65, not only builds castles in the air, he also provides meticulous blueprints...
...rising sun of the Soviet film establishment -- a cinema Yevtushenko. But soon his artistic intransigence and the supposed obscurity of his themes nettled the bureaucracy that financed his films. The epic Andrei Rublev, completed in 1966, was not released in the U.S.S.R. until 1971; Solaris (1972), based on the Stanislaw Lem novel, suffered official censure; the lusciously enigmatic Mirror (1978) and Stalker (1979) sealed Tarkovsky's fate as a picturemaker on the way out. Within a few years, he was. He went to Italy to make Nostalghia (1983), about a Russian estranged from his homeland, and to Sweden...
During one five-week period last winter, the Philadelphia Orchestra offered the world premieres of challenging concertos by Stanislaw Skrowaczewski and Richard Wernick. In New York City in February, Elmar Oliveira gave the first performance of a lyrical new work by Hugh Aitken, while in Montreal, Stern contributed the North American premiere of French Composer Henri Dutilleux's impressionistic concerto. The same month Virtuoso Shlomo Mintz played Marc Neikrug's neoromantic concerto for the second time, having presented its world premiere in 1984. And this week Sergiu Luca will give the American premiere of William Bolcom's frisky new concerto...