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Theodores Stamos

Author: /time Magazine | Title: Art: 102 PAINTERS TO WAX ENTHUSIASTIC ABOUT | 7/6/1962 | See Source »

Walls That Cry. Not only France but Germany, Switzerland and the Scandinavian countries are becoming customers of Aubusson. The U.S., which until last year imposed a 60% duty on modern tapestries, has not yet begun to buy in quantity. Last month a group of U.S. artists, including Stuart Davis, Ben...

Author: /time Magazine | Title: Art: Renaissance in Wool | 7/11/1960 | See Source »

¶Heart of Norway Spruce, by Theodores Stamos, 33, was acquired by the Corcoran Gallery in Washington. Corcoran Director Hermann Williams calls it "a characteristic example of one of the strongest and most vital phases of contemporary expression currently in vogue. Stamos has consistently been one of the chief American...

Author: /time Magazine | Title: Art: WHAT THE MUSEUMS ARE BUYING | 6/25/1956 | See Source »

The abstract painters at the Whitney showed even more brass than the sculptors. They generally displayed huge canvases, as the fashion is, but made some concession to hanging problems by favoring very tall pictures instead of very wide ones. Most followed the lead of Jackson Pollock and Willem de Kooning...

Author: /time Magazine | Title: Art: The Postwar Decade | 5/23/1955 | See Source »

During the late '30s, Root slacked off his buying. But after World War II, he started picking up samples of the new abstract art. He was one of the earliest to buy Theodoros Stamos' dreamily delicate work, Jackson Pollock's paint-spattered canvases, and Mark Tobey'...

Author: /time Magazine | Title: Art: American Collector | 3/2/1953 | See Source »

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