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Word: stagehand (lookup in dictionary) (lookup stats)
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...tombs of their ancestors, thousands of Japanese "lowteen" girls in braids, pony tails, hula shirts, black slacks and white sweaters celebrated in their own way: jamming Tokyo's Kyoritsu Theater to swoon and scream at the pelvic pulsations of guitar-twanging "rockabilly" idols. Said a dazed stagehand last week, trying to describe the massed sound of their screams: "Like an auto suddenly braked at 100 m.p.h...

Author: /time Magazine | Title: JAPAN: Rittoru Dahring | 4/14/1958 | See Source »

...solemn face frozen in bewilderment, the zany Dane had a fine time telling about his 2½ brothers (three half brothers, one regular brother) and bumbling through a Chopin waltz that was later rippled off by a stagehand wearing gloves...

Author: /time Magazine | Title: Television: Review | 3/3/1958 | See Source »

...temporary quiet of Cinderella's kitchen. "They've grown so fast during rehearsal," a prop man said, "that we'll have to get new ones for the show." A bruised plaster pumpkin sat in front of flat No. 15A, and behind it a disheveled stagehand snoozed. Two workmen sipped tea on the set of the King and Queen's dressing room, while in the orchestra area the King and Queen (Howard Lindsay and Dorothy Stickney) munched sandwiches. On the far corner of the stage, Director Ralph (Requiem for a Heavyweight) Nelson went to his knees...

Author: /time Magazine | Title: Television: Rear View | 3/25/1957 | See Source »

...brace under it." Through ganglia of cables down from a remote eyrie came the cry of an electrician: "The damn lights haven't any numbers on them." A large reflector crashed to the floor. "It's the only CBS color studio outside of Hollywood," said a stagehand between bites on a sandwich. "Those RCA color cameras-four of them-they weigh 500 lbs. apiece and are handled by one to four men. We take weight lifters and make cameramen out of them...

Author: /time Magazine | Title: Television: Rear View | 3/25/1957 | See Source »

Playing the humble part of the kuro-maku-the faceless stagehand of Japanese drama who bustles about, manipulating scenery behind a black curtain in a supposedly invisible state-Kishi, in recent years, has been a potent force in Japanese postwar politics, a skillful, hardworking, practical politician with a rare skill in threading his way between the excessive views of opposing factions at home and abroad. "We are opening windows to both sides, so to speak," Kishi has said of Japan's relations with East and West, " instead of keeping one side closed as before." A Japanese patriot...

Author: /time Magazine | Title: JAPAN: The Third Man | 3/4/1957 | See Source »

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