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BUTTERFLIES ARE FREE. The basic plot of this tepid little comedy is an old chestnut, dropping with a slightly pathetic spin: Blind Boy meets Girl, Blind Boy loses Girl, Blind Boy gets Girl. Playwright Leonard Gershe is only sporadically funny and never uniquely himself, but simply a one-man situation-and-gag file...

Author: /time Magazine | Title: Television: Nov. 7, 1969 | 11/7/1969 | See Source »

Designer Cecil Beaton has drawn up only two basic sets: Chanel's salon and her ornate, book-filled apartment above the salon. But they are mechanical marvels that split, spin, break apart and generally transform themselves from the identifiable into the abstract, depending upon the mood of the scene...

Author: /time Magazine | Title: Show Business: The Very Expensive Coco | 11/7/1969 | See Source »

...seen things that would make your head spin. Yes I have, honey, I could tell you things. . . . People here struggling to make a living, to keep their families going. My daughter has a son, has to take him to Philadelphia for those special treatments, you know what I mean. When he was born he. . . well you know they have that special treatment in Philadelphia, involves round-the-clock care. She has to keep taking him back. Costs a lot of money, but oh that little kid, he's so cute, and he smiles. . . Well life's life, that...

Author: By Marian Gram and Robert Manz, S | Title: 'Tell Us Again Al' | 11/5/1969 | See Source »

...submit to this true-or-false test by attending the tepid little Broadway comedy called Butterflies Are Free. Playwright Leonard Gershe's basic plot is an old chestnut, dropping with a slightly pathetic spin: Blind Boy meets Girl, Blind Boy loses Girl, Blind Boy gets Girl...

Author: /time Magazine | Title: New Play: Blind Love | 10/31/1969 | See Source »

...expression suggest conflicting thoughts. Does the sitter look different because his mood changed each time he posed for Rembrandt, or did Rembrandt merely illustrate a different aspect of his nature? Or is it the artist's own opinion of de Jonghe that develops through the changing states? The prints spin out the shifting relationship between artists and sitter. Beyond this the progression suggests that changes within the viewer himself will make a print appear different each time he approaches...

Author: By Cynthia Saltzman, | Title: Rembrandt Rembrandt: Experimental Etcher at the Museum of Fine Arts through Nov. 7 | 10/31/1969 | See Source »

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