Word: spinned
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...Shoes," Carver tells the story of a young writer named Myers who gets together with his wife on Christmas eve. He and his wife seem to be separated. For a lark, they visit their old landlords, the Morgans. The Morgans are a stodgy and selfish couple, who try to spin a few yarns for Myers, sententiously advising him to recycle the yarns as "material...
Nowadays the mainstream is receiving a rich new current. More and more, American film, theater, music, design, dance and art are taking on a Hispanic color and spirit. Look around. You can see the special lightning, the distinctive gravity, the portable wit, the personal spin. The new marquee names have a Spanish ring: Edward James Olmos, Andy Garcia, Maria Conchita Alonso. At the movies, the summer of La Bamba gave way last year to the autumn of Born in East L. A.; now the springtime of Stand and Deliver blends into the summer of Salsa. On the record charts...
...other cultures, America is celebrating the spirited sounds and shapes, the flavors and flirtations of Hispanic style. The new influence is changing the way the country eats, dresses, dances, plays, ) learns -- the way it lives. Look around. See the special lightning, the distinctive gravity, the portable wit, the personal spin. In theater and films, Latin playwrights and directors supply a fresh vision and voice. The names on the marquee have a Spanish ring: Andy Garcia, Maria Conchita Alonso, the inspirational actor Edward James Olmos. In fashion and design, painting and architecture, critics laud the Latino artists whose work owes...
...schedules. Phyllis Gillis, for example, quit her night job as a waitress in 1982 and started Entrepreneurial Communications, a Princeton public relations firm, so that she could spend more time with her six-year-old son. Says Gillis, author of the 1984 book Entrepreneurial Mothers: "I was willing to spin my wheels for a while and grow my company slowly while my son was small. Now it's full speed ahead...
...like catching the sound of running water that complements, as it completes, the silence of a Japanese landscape. When V.S. Naipaul, in his latest novel, writes, "He was a middle-aged man, with glasses," the first comma can seem a little precious. Yet it gives the description a spin, as well as a subtlety, that it otherwise lacks, and it shows that the glasses are not part of the middle-agedness, but something else...