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...before hanging up his stick, the Wolfpack took on the Long Island Lacrosse Club. Elegant women urged on Baltimore's heroes with cries of "How to hook it, Buddy!" "Man on your back, Larry!" and "Go, Biddison!" When an injured player staggered over to the bench, Equipment Manager Spike Watts prescribed his standard treatment: merthiolate for a minor wound, Band...

Author: /time Magazine | Title: Lacrosse: Home of the Braves | 4/30/1965 | See Source »

...Washington started out feeling kindly toward their visitors; by the time they got mad, they were trailing 2-0. They got quite mad. The final score was 18-6, and the two teams adjourned to the clubhouse to spike a keg of beer...

Author: /time Magazine | Title: Lacrosse: Home of the Braves | 4/30/1965 | See Source »

Ecumenical Effect. So far, clergymen are cautiously optimistic that the spirit will last. Now, says the Rev. Robert Spike of the National Council of Churches' Commission on Religion and Race, "we face the question as to how we can put flesh on the content of this commitment." Spike believes that there were "a lot of foolish, wildcat activities" at Selma, and some clerics, notably Roman Catholic and Episcopal bishops in Alabama, wondered whether men of the cloth should have been there...

Author: /time Magazine | Title: Churches: The Selma Spirit | 4/9/1965 | See Source »

...Born in Minneapolis in 1922, Schulz was dubbed Sparky (after the rambunctious, blanket-draped horse in the strip Barney Google) when he was two days old, and the name stuck. As a boy, Sparky avidly read the comics, sketched illustrations of Sherlock Holmes stories and of his own dog Spike (Snoopy's model). "He was," says Schulz, "the most intelligent dog there ever was. You could say 'Spike, go get a potato,' and Spike would go down to the cellar and come back with one. When I was about 16 I used to chip nine-iron shots...

Author: /time Magazine | Title: Comics: Good Grief | 4/9/1965 | See Source »

...ROBERT HUDSON, 26, working out of San Francisco, creates polychrome assemblages straight out of Spike Jones and his City Slickers. The iridescent blue hand was his starting point in Charm; he then kept adding things until, says he, "it has a whole world in it." Why paint it a profusion of colors? "I dig painting too," says Hudson. "What the sculpture can't say, the paint...

Author: /time Magazine | Title: Sculpture: Era of the Object | 12/11/1964 | See Source »

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