Word: spiced
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Saturday night wraps up the Boston showing of Maxwell Anderson's "Anne of the Thousand Days," starring Rox Harrison and Joyce Redman at the Shubort. "I Know My Love" continues at the Plymouth with the Lunts. Harvard Square's local thespians have imported Luise Rainer this week to spice up their production of Chekov's "The Sea Gull" at the Brattle Theater Company next to the post office. "Regina" winds up its Boston stay on Saturday also, as the Colonial sends this adaption of Lillian Hellman's "The Little Foxes" on to new territories...
Surely, it is at least as much to the credit of Writer Ardrey as Producer Berman and Director Minelli that the picture "stoutly refused to spice up the sin or gloss over the grimness of Emma's life . . ." If writers were not such forgotten men in Hollywood [you might have] a few more good pictures . . . to list as Current & Choice...
...Times-Herald, it would mean a return to the distaff rule that the newspaper had known for eleven whirling-dervish, moneymaking years under the late Eleanor Medill ("Cissy") Patterson. But there the resemblance ended: in temperament and talent, Bazy and her distant cousin were as different as sugar and spice...
Much to their credit Producer Pandro Berman and Director Vincente Minelli have stoutly refused to spice up the sin or gloss over the grimness of Emma's life. Instead, at a leisurely and often-lagging pace they have pried into every nook & cranny of Emma's avid, neurotic soul and the drab existence that nourished it. The handling of bumbling peasants and pompous tradesmen has an acid authority. One memorable scene-a whirling, overheated ball at a local château-is a wonderfully skillful projection of Emma's half-swooning sense of her own seductiveness...
...first year of Marshall Plan grants the U.S. had tried to spice its aid with a small inducement to encourage intra-European trade. Some $800 million of the U.S. grants were conditional. To get them, the receiving country had to surrender an equal amount of its own currency to a third nation. Thus Britain, in order to receive ECA dollars, made sterling available to France, enabling France to buy British machinery. Such secondary grants were known as drawing rights...