Word: sounds
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Dates: during 1920-1929
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Radio Corp. of America owns or has virtual controlling interest in RCA Communications, Inc. and Radiomarine Corp. (communications), RCA Photophone Co. (sound-film recording and receiving equipment), Radio-Victor Corp. (radio sets and talking machines), Radio-Keith Orpheum Corp. (vaudeville circuits and theatres), RKO Productions, Inc. (cinema production), National Broadcasting Co. (broadcasting). Recently it acquired an option on the patents for the Theremin "ether wave" musical instrument, which is played by moving the hands in the air above it. Entertainment, therefore, and particularly musical entertainment, is Radio Corp.'s forte. Last week it went further into music. National Broadcasting...
Obviously if sound movie producers use a song published by somebody else, they get no royalties, may have to pay some. Example: Warner Bros, purchased "Sonny Boy," published and written by De Sylva, Brown & Henderson, with lyric changes by Al Jolson. Estimated royalties were upward of $750,000, of which Warner Bros, received not a cent. Warner Bros, learned a lesson, purchased Witmarks Inc. for approximately $5,000,000.* Radio Corp. seemed last week to have learned that lesson too. A contracted composer for Leo Feist, Inc. is Mabel Wayne, composer of "Ramona," and considered the best Feist music writer...
John Edward Otterson, president of Electrical Research Products, Inc., a subsidiary of Western Electric, in turn a subsidiary of American Telephone & Telegraph, is the third member of the triumvirate. Twenty million dollars of sound equipment in the 1,200 Fox Theatres was installed by his company. In addition, Western Electric receives royalties on its patents used by Fox, is therefore concerned with the future business of the company...
Loudly have jobless U. S. musicians complained against the new sound-film devices (TIME, May 27, et seq.). Last week in Geneva their complaint was internationally amplified before the International Labor Organization, associate organization of the League of Nations, which had called a committee to consider ways and means of helping musicians compete with sound machines throughout the world...
...potent tone that Professor Theremin has brought into the world. The radio machines are bad enough, but what will happen to the auditory nerves in a land where super-Theremin machines can hurl a jazz ditty through the atmosphere with such horribly magnified sonorities that they could deaden the sound of an automobile exhaust from 20 miles away...