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Dates: during 1980-1989
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Cela's flippant disdain for authority -- of whatever sort -- earned him the respect of exiled Spaniards who might otherwise have excoriated him for his allegiance in the civil war. In later years his fierce independence won increasing regard. He was among those, after Franco's death, who were asked to write a new Spanish constitution. Beyond that, his best novels, with their violent, poetic hyper-realities, affirmed a tradition that stretches from Cervantes to Gabriel Garcia Marquez...

Author: /time Magazine | Title: A Risky Life | 10/30/1989 | See Source »

...stormed through a hard-edged set that emphasized his independence and uncompromising nature. His band was tight, his guitar sounded terrific, and he even threw in a large chunk of the old songs that made him famous. If this seems like a good recipe for a concert, it was. Sort...

Author: By Adam E. Pachter, | Title: How Does it Feel? | 10/27/1989 | See Source »

...Harvard victory, according to Greenberg, was the work of the players in the scrum. "The whole game sort of hinges on possession," Greenberg said, "and we had the ball for well over two-thirds of the game. That's what we've been working on the past few weeks...

Author: NO WRITER ATTRIBUTED | Title: Ruggers Crush Amherst; Prepare for Cal-Berkeley | 10/27/1989 | See Source »

...newspaper morgue. A few, however, linger in the mind's eye. Of the billions of metal sheets, glass plates, celluloid spools and other light-sensitive surfaces exposed to history in the name of publishing, only a handful of images have themselves become part of history. These form a sort of shared visual heritage for the human race, a treasury of significant memories. Every educated person should be familiar with them, just as he or she would know the great achievements of painting, sculpture or music. And every person, educated or not, should be moved by these journalistic images, just...

Author: /time Magazine | Title: Icons: The Greatest Images of Photojournalism | 10/25/1989 | See Source »

...series of ghostly images superimposed in layers to infinity, wrapped in infinitesimal films." Each time a photograph was made, he believed, another thin layer of the subject's being would be stripped off to become not life as before but a membrane of memory in a sort of translucent antiworld...

Author: /time Magazine | Title: Essay: Imprisoning Time in a Rectangle | 10/25/1989 | See Source »

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