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Dates: during 1970-1979
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Until the administration is sure the Faculty favors some sort of reform, it will probably continue to present the Faculty with a moving target that is impossible to shoot down with an all-or-nothing vote...

Author: By David Beach, | Title: Faculty Plans to Cast Critical Vote On Core Curriculum Proposal Today | 5/3/1977 | See Source »

Paxton's reticence as a performer arises naturally from his movement style, perfectly scaled for this sort of space. The wise old man of dance criticism, Edwin Denby, once noted that some dance gesture relates to the entire stage area while other gesture relates to the dancer's own body. Highly metred movement, like Laura Dean's, tends toward the first sort, Paxton's toward the second. His is not personal gesture in the sense of creating a specific presence of character, as does local dancer Deborah Chassler using similar improvisation techniques. We never find out who Paxton is, beyond...

Author: By Susan A. Manning, | Title: Knots and Bolts | 5/3/1977 | See Source »

...roadhouse where they drink. Her work, her silences and solitude, more obviously-and less interestingly-symbolize a sterility similar to that of the younger women. In the end, the women dispose of the stunt man (who has had all three of them) and are seen to be forming a sort of feminine trinity -mother, daughter and granddaughter. They seem at once mad and serene. Maybe Altman is exorcising some sort of masculine guilt here. Surely he is displaying some of the virtues associated with him: fine acting performances, expert cinematography, some wild humor. But he should have taken his dream...

Author: /time Magazine | Title: Cinema: Dreamscape | 5/2/1977 | See Source »

...valiant and convincing service on the acting front, Reid Shelton gives Warbucks an unparched humanity. Without Alpo to lure him on, Sandy proves an artful trouper even if he doesn't say "Arf." Since Annie is the sort of wholesome family fare audiences are always supposed to be arfing for, Broadway's latest tryst with nostalgia will doubtless turn the till at the Alvin Theater into a reasonable facsimile of the U.S. Mint. T.E.K...

Author: /time Magazine | Title: The Theater: No Waif Need Apply | 5/2/1977 | See Source »

Enter left Pat Horton, the state district attorney from Oregon whose testimony rocked the Judiciary Committee hearing room by all accounts, with one exception. The legislators could identify with Horton: as Lawson said, "You'll never see a straighter, tougher, more middle-class sort of guy, and that is why he was so effective." Murphy adds, "Horton testified to the following: every major candidate in last year's state elections supported decriminalization in Oregon," Murphy says. "He was a strong law-and-order man, but he testified that this bill now let him do the job the people of Oregon...

Author: By Joseph L. Contreras and Marc H. Meyer, S | Title: The Greening of Massachusetts | 4/29/1977 | See Source »

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