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Just as he uses easily-recognizable forms, Paterson also takes on a familiar, didactic voice. The poem “Correctives” depicts the narrator’s son who uses his right hand to support his left in an effort to write more neatly. As he describes this boy, Paterson derives a broader conclusion about humanity from the image: “the whole man must be his own brother / for no man is himself alone.” It would be easy to imagine this brief poem as a sort of family maxim delivered from generation...
...Walden, a cloistered Hasidic enclave where men and women walk on different sides of the street and modernity has yet to intrude. There Cass meets Azarya, a child prodigy who at the age of six has derived complex mathematical proofs without any formal education. But Azarya is also the son of the town’s Grand Rebbe, expected to succeed his father as the Hasidim’s spiritual guide. Cass bears witness to Azarya’s agonizing choice between denying the secular world that so engages him or leaving his communal responsibilities and attending MIT?...
Creative control over unfinished work is usually given to the artist’s family or friends—as is the case with Kubrick, whose son-in-law, Philip Hobbs, is pursuing the production of “Lunatic.” Though such people seem more likely than others to know the author’s wishes, too frequently they don’t seem to care. Allowing the director’s relatives to make decisions about the cast and crew is a crapshoot in terms of quality. Shared genes do not endow one with any sort...
...December 7, 1922, Roscoe Conkling Bruce, a black Harvard graduate from the class of 1902, wrote to Abbott Lawrence Lowell, class of 1877 and the University’s 22nd President, to ask whether his son might be allowed to reside in a previously all-white freshman dorm. Lowell was a self-described "friend of the negro," but this request seemed clearly beyond the pale. "I am sure you will understand," wrote Lowell to the concerned father, "why we have not thought it possible to compel men of different races to live together...
...Pulitzer Board praised Harding’s novel as “a powerful celebration of life in which a New England father and son, through suffering and joy, transcend their imprisoning lives and offer new ways of perceiving the world and mortality...