Word: sons
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Dates: during 1980-1989
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...Oedipal element behind the enterprise. After joining the small-paper business launched by his father, the younger Ingersoll clashed with him early and often, tried to break free, then forced him out of the partnership in a financial settlement that the elder Ingersoll considered unfair. Thereafter, father and son spoke infrequently. Ingersoll blames the tension largely on his stepmother; at his father's funeral in 1985, the widow and the namesake son held separate receptions...
...major conflict was over financing. The father was cautious, the son a plunger. Says Ingersoll: "He was still thinking in hundreds of thousands when I was thinking in millions. He never really understood the fungibility of debt and equity." Later, capital for some deals was assembled by indicted Drexel junk-bond financier Michael Milken, whom Ingersoll regards as a close friend. Says media analyst John Morton of Lynch Jones & Ryan in Washington: "From all we can learn, the company is healthy, although heavily leveraged. The small papers are cash cows. I admire him for taking this risky venture...
...picture's impact is its straight-ahead melodramatic structure. At its simplest level the movie functions as a well-constructed mystery story. A black man, a gardener named Gordon Ngubene (Winston Ntshona), comes to his employer, Ben du Toit (Donald Sutherland), asking him to help find his son. The boy was taken into police custody during the Soweto protests of 1976 and has disappeared. Du Toit, a calm and rational man, believes this is surely just a bureaucratic muddle that can be easily ameliorated by a solid citizen's firm but polite intervention...
...talking bureaucracy here. We are talking about a strangely imperturbable menace. Searching for his son, Ngubene is also arrested; father and boy are tortured and then murdered in prison. And because Du Toit continues to seek justice on their behalf, he is himself victimized by state terror that is the more frightening because of the bland face with which it covers its institutionalized psychopathy. Du Toit is subjected to steadily escalating harassment. Eventually he loses his job and his wife (Janet Suzman in a good, dour performance), and he must deal with the fact that his daughter is willing...
...entirely isolated in his struggle. His young son stands by him. So do a scrappy journalist (Susan Sarandon in an underdeveloped role) and a weary, canny lawyer, played by Marlon Brando. In his first movie role in eight years, Brando is shockingly bloated in appearance, but his full authority as an actor is mobilized by a part in which he obviously believes (he was paid union scale...