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...performers’ awareness (visible in their faces and demeanor) that they were indeed daring the impossible.” Marvin was praised throughout the piece. “It was the kind of conducting that has a lot of ‘there’ to it but somehow disappears, egolessly, into the music,” Buell added...

Author: By Benjamin Naddaff-Hafrey, CRIMSON STAFF WRITER | Title: Jameson Marvin | 4/27/2010 | See Source »

...vengeance, though, as “Cracks” turns nightmarish in its final act. Ultimately, the story is a sordid one. As the film ends, the plot veers onto such a wild, jolting track that the cheeks redden and the hand flies to cover the gaping mouth. But somehow, though “Cracks” turns out to be a nasty little shocker, it does not feel like trash. In the tradition of other British psychological dramas like 1992’s “Damage” and 2006’s “Notes...

Author: By Michael A. Yashinsky, CONTRIBUTING WRITER | Title: Cracks | 4/27/2010 | See Source »

...entirely student-run production that combines fashion, dance and music, drawing around 2,000 students. While it is the models who are the visual stars of the show, the heart of Eleganza is the executive production team. They are the ones who have to pull everything together. Yet somehow they seem to be managing; somehow they seem to be completely on top of things...

Author: By Alexander J.B. Wells, CONTRIBUTING WRITER | Title: Eleganza | 4/23/2010 | See Source »

...combination of genres sounds promising. With the three opening tracks of “Swim,” Caribou shows he can do dance. And he’s proven with remarkable consistency over a decade of music-making that he can do ambient electronica. But somehow, when those two aspects merge in songs like “Bowls” and “Leave House,” they lose much of what makes them compelling in the process. Less than the sum of its parts, the record’s middle section decelerates and de-energizes...

Author: By Daniel K. Lakhdhir, CRIMSON STAFF WRITER | Title: Caribou | 4/20/2010 | See Source »

Considering the relative smallness of his role, the Sergeant of Police (Philipp W. Grimm ’11) is the biggest surprise of the show. Grimm’s Chaplin-esque strut and alternatively glazed and manic eyes make his Sergeant absolutely aloof but somehow loveable. He heads up a police corps that proves just as memorable as the pirates themselves...

Author: By Adam T. Horn, CONTRIBUTING WRITER | Title: HRG&SP's 'The Pirates of Penzance' Proves Arrrrr-esting | 4/20/2010 | See Source »

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