Word: soho
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Dates: during 1980-1989
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...Selleck, television's most agreeable private eye, who often sports custom-made Hawaiian shirts while crime busting in the islands. "And they're murder under a navy linen sports coat." Says Harriet Love, who carries a good supply of prime old Hawaiians at her store in Manhattan's SoHo district, "Grown men are following their antiheroes. Selleck is the '80s adventurer, in a way. He's casual, nice to women, and he wears Hawaiian shirts...
Little more than ten years ago, Glass's music was largely confined to SoHo galleries, where experimental music was welcomed, and other haunts of New York's proudly scruffy downtown arts scene. Now it seems that the world has become a Glass festival. Consider...
Adventuresome audiences that had made the pilgrimage downtown to Leo Castelli's influential art gallery on West Broadway in SoHo, for example, might encounter minimalist sculpture by Don Judd and Richard Serra or hear Glass's new sounds in concert. Near by, Performance Artist Anderson was playing her violin on a street corner while wearing ice skates atop a melting block of ice. Composer Steve Reich had already experimented with out-of-sync tape loops in pieces like Come Out; Choreographer Childs had created her early works, like Street Dance. "No one organized an official group or issued a manifesto...
Eventually the downtown scene burnt itself out in a blaze of success. Rampant gentrification has made SoHo's once funky lofts affordable only to the moneyed, and its former have-not inhabitants have also become chic. Anderson has forsaken the streets for major concert halls like the Brooklyn Academy, where in 1983 she performed her six-hour multimedia epic, United States, Parts I-IV. Wilson directed Marc-Antoine Charpentier's baroque opera Medee last fall in France; Reich's music has been performed by major orchestras from San Francisco to Cologne. The next extraordinary concentration of creative artists...
Moreover, its timing is perfect. The American art audience is coming to realize what a vacuum has been created by the collapse of drawing instruction in the art schools. One has only to visit the Morgan--or a lesser but still excellent exhibition at the Drawing Center in Soho, of drawings by the Tiepolos, Canova, Pietro Longhi, Canaletto and others lent by the Museo Correr in Venice--to comprehend the general paucity of graphic skills today. The prospect that anyone in the foreseeable future will make drawings to rival these Albertina loans--even the sketchier ones, like Rembrandt's summing...