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...improvised with bombers. In April he and his Liberator crew spotted an enemy fleet gathering in Rabaul harbor, gave a warning that enabled the U.S. Navy to intercept and smash the Japs' task forces in the Battle of the Coral...

Author: /time Magazine | Title: Army & Navy: Photo Pop | 3/20/1944 | See Source »

...Broadway's biggest comedy smash, The Voice of the Turtle, has provided Broadway's smallest cast with Broadway's plushiest dressing rooms. Each of the three performers at the Morosco has a whole floor backstage. The three suites, which cost around $30,000, contain a dressing room, sitting room, kitchenette with refrigerator, bathroom without bath. Margaret Sullavan's first floor (see cut) is all feminine satin; Elliott Nugent's second floor, all masculine mahogany; Audrey Christie's third floor, all pink& blue...

Author: /time Magazine | Title: The Theater: Show Business | 3/13/1944 | See Source »

Grace Moore had looks and an electrifying personality that would have made her a smash in musical comedy. But to the little girl from Slabtown, opera was still the end in glamor. She saved her Broadway paychecks, worked on her voice, cultivated people. ". . . Never have I underestimated the importance of my rich friends," admits Grace, "because, they have given me the opportunity . . . to sit in the assembly lines of jeweled women who hold down the golden horseshoes of the concert halls of the world. . . . Economic determination is one thing, the mouth of a gift horse another...

Author: /time Magazine | Title: Music: Exuberant Grace | 3/13/1944 | See Source »

...relies on a musician friend named Clau-dionor Cruz. But Pedro has what he describes as "cerebral rhythm." All year round, Pedro and his friends compose carnival songs. Most of them are duds. But this time Pedro Caetano was well on the road to fortune. Eu Brinco was a smash...

Author: /time Magazine | Title: Music: Eu Brinco! | 3/6/1944 | See Source »

...Imports. Smash hit at the moment-and an exception to London's craving for escape-is Robert E. Sherwood's There Shall Be No Night, with the Lunts in their Broadway roles and the play's setting changed from Finland to Greece. Many Londoners, finding its tragic story too close to their own experiences, leave halfway through the play. The production had a troubled road tryout. Both Alfred Lunt and Lynn Fontanne opened in Oxford with the flu ("It was wonderful," said Fontanne, "but like swimming under water"), eventually gave flu to the entire company...

Author: /time Magazine | Title: The Theater: Quiet but Happy | 1/24/1944 | See Source »

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