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Nonetheless, the Pope’s apology represents at the very least a step in the right direction, especially for an institution that has been notoriously slow in apologizing to those it has slighted in the past (ask Galileo or the victims of the Spanish Inquisition). In this regard, the Pope’s response to the sexual abuse allegations represents an unusually quick reaction, and he was proactive in creating a council to investigate the abuses in Ireland. Even so, the Pope’s actions thus far are only a first step in what must be a long...
...other ways, academia has been slow to change. The sea change in professional gender roles has not come with a similarly dramatic shift in how graduate programs function. When Ph.D. candidates were married males with stay-at-home wives, they could afford to have children without derailing their careers. Now, many—and particularly many women—feel pressure to choose between family and profession or those who choose both climb the faculty ladder with their hands tied. The result is an exodus of women at every stage of the academic pipeline. The higher you climb, the fewer...
...convoluted philosophizing obfuscate the majority of its positive elements, which are primarily found in the actors. Perhaps most frustratingly, the production takes what could have been a compelling period epic and spoils it with sluggish direction. The show’s many detriments—coupled with a muddled, slow-moving plot—cause “Danton’s Death” to lose the thrill and excitement that its decidedly dramatic premise could have produced...
...change Marling adds to her signature full-bodied vocals, melodic guitar, and poetic lyricism is the pronounced intensity which characterizes much of her new release. “Devil’s Spoke,” for example, opens the album with an impassioned interpretation of religious folk music. Slow, hypnotizing bass lines, deep male background vocals, and thumping drums endow a frantic banjo, as well as Marling’s voice and guitar, with a sheer power new to Marling’s work. And when she issues such commands as “Hold your devil...
...poem continues, Hass widens the scope of his lens. The dune moves, he writes, in a “grand slow march / across the earth’s surface,” which “has an external counterpart in the scouring / movement of glaciers.” As he explores the layers of fractals in nature, the poet sees similar shapes and motion in the patterns of human feelings. He notices “The movement of grief / which has something in it of the desert’s bareness / and of its distances...