Word: slaved
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...more or less savage people by the author of Where the Pavement Ends. A tourist searches for "the color of the East" and finds it strangely crim-son-a tropical grafter fights to the death so no one may rob his superiors but himself-criminals, escaping on a former slave ship fall into the hands of the deadly justice of the vampire bats-and so on. The yarns are varied, colorful, exciting, skilfully told, with a knowledge of strange lands and stranger characters that is obviously firsthand. Neither Kipling nor Conrad, In Dark Places is nevertheless a first-class book...
...program of the "Pops" concert at 8.15 o'clock tonight in Symphony Hall follows: 1. Prologue to "Pagliacci" Leoncavallo 2. Waltz, "Dream of Love" Fahrbach 3. "Devotion" Herbert 4. Fantasia, "Manon" Massenet 5. Marche Slave Tschaikovsky 6. Berceuse Johns 7. Overture to "The Bat" Strauss 8. Bentley School Songs 9. American Military Fantasy Rollinson 10. Waltz, "Spanish Serenade" Metra 11. Slavonic Dance, No. 7 Dvorak
...March Svendsen 2. Overture to "William Tell" Rossini 3. Caribbean Legend Sequeira 4. Ride of the Valkyries Wagner 5. Afro-American Folk Songs arranged by Agide Jacchia 6. Baritone Solo: Iago's Credo from "Othello" Verdi Roberts Lunger 7. Duet for Flute and Clarinet: "Tarantelle" Saint-Saens 8. Marche Slave Tschaikovsky 9. Selection, "The Defender" Dennee 10. Waltz, "Jolly Fellows" Vollstedt 11. Hungarian March Berlioz
...Maine Night" at the Pop Concerts is scheduled for 8.15 o'clock this evening in Symphony Hall. The program will be as follows: Pomp and Circumstance, Elgar Overture to "Merry Wives of Windsor", Nicolai Waltz, "On the Beautiful Blue Danube", J. Strauss Fantasia, "Aida", Verdi Marche Slave, Tchaikovsky Ave Maria, Schubert-Wilhelmj Anitra's Dance, Grieg Rhapeody, "Espana", Chabrier Invitation to the Dance, Weber Prelude, Rachmaninov Procession of the Sardar, Ippolitov-Ivanov
...stage official smokes a cigarette, and is a picture of negligent loafing. He tells stories among his fellows, plays pranks and howls with laughter. Seemingly, he is constitutionally incapable of effort. But you may see him glance at the clock, and move quickly away. The clock is the slave-driver. Everything moves by exact timing. On the minute the singer hurries backstage for a rehearsal, the assistant conductor to play the organ or direct the trumpets behind the scenes, the stage official to give the signal for the curtain or the descent of the dove or the collapse...