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...husband-wife sleuthing team (Robert Wagner and Stefanie Powers). In CBS's Big Shamus, Little Shamus, father and son (Brian Dennehy and Doug McKeon) become the first TV detectives to police Atlantic City's new casinos. For audiences who take crime lightly, ABC has a sitcom called Detective School. NBC is unveiling a James Bond clone (Robert Conrad) in A Man Called Shane...
...tube, doctors and lawyers usually follow close behind. Both ABC and CBS have new medical hours: The Lazarus Syndrome (starring Louis Gossett Jr.) and Trapper John, M.D. (a M* A* S* H spin-off starring Pernell Roberts and set 28 years after the Korean War). ABC's sitcom The Associates, from the creators of Taxi, takes place in a Wall Street law firm. Other new sitcoms are built around fatherless families, in imitation of CBS's long-running Norman Lear sitcom One Day at a Time. Shirley Jones, years ago a single mom in The Partridge Family, will...
E.D.T.) Scheduled behind Laverne & Shirley, this Soap spin-off is one of the season's few sure hits. Unfortunately, Writer Susan Harris has not capitalized on her secure ratings position by creating a daring and witty show. Benson is another sitcom dedicated to the tedious proposition that servants and children are smarter than employers or parents. In this case the employer is a moronic Governor (James Noble) who hires black Butler Benson (Robert Guillaume) to run his household and, by inference, his unidentified Eastern state. Except for Benson and the Governor's unspeakably precocious subteen daughter (Missy Gold...
Director Robert M. Young (Short Eyes) could have destroyed the film completely by accentuating the sitcom excesses of the screenplay. He avoided that error only to swing too far the other way: his erratic pacing often kills those jokes that are worthwhile. The final confrontation between the kids, their parents and the parents' lovers is an all too typical disaster. A potentially hilarious climax ends up looking like a chaotic dress rehearsal, just as this potentially powerful movie collapses under the wreckage of its confused intentions.-Frank Rich
Such speculation may seem lugubrious to those who know the monster only through Boris Karloff 's film impersonations or through such burlesques as the TV sitcom The Munsters and Mel Brooks' Young Frankenstein. As this collection of twelve essays suggests, though, Mary Shelley's novel is a surprisingly open-ended source of disturbing, even terrifying implications. Its awkwardness and philo sophical uncertainties mark Frankenstein as the first and most powerful modern myth, not a pure Jungian river flowing through the collective unconscious but a polluted industrial spillway...