Word: sitcomic
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...uncaged onstage Williams contains multitudes -- a Sybil's worth of funny, fractured personalities. The man who was Mork, on TV's sitcom smash of the late '70s, can switch in nanoo-seconds from an infant's helium singsong to Elmer Fudd as Bwooce Spwingsteen. This glossolaliac gift can give the listener a high and a headache; it is that quick, sharp and scary. Scares Williams too. "When it works," says the Chicago-born comic, 36, "it's like . . . freedom! Suddenly these things are coming out of you. You're in control, but you're not. The characters are coming through...
...premiere sitcom Svengali, Jim Brooks knows how to create characters an audience can fall in love with. But on a TV series, relationships are never resolved; they are just continued next week. So Brooks concludes Broadcast News with a sitcom ellipsis, not a movie exclamation point. The movie ends, like the '80s perhaps, in resignation and anticlimax. Maybe no one believes in happy endings anymore, or even in endings. Maybe, after Bakker and Hart and Iranamuck, people are too cynical to care who gets the girl. But it is good to know that craftsmen like Brooks can create compelling, pertinent...
...father's dining room. Next he tried to break into show business. A few painful years of struggle -- scraping up auditions that led to more auditions, writing and rewriting a show that never got staged because the producer died, going out to Hollywood to write scripts for the TV sitcom Topper -- ended in triumph when his lyrics for West Side Story established...
...Stephen Sondheim and Director-Librettist James Lapine completed their Pulitzer-prizewinning musical Sunday in the Park with George in 1984, they began exploring two new ideas: to create from scratch a classic myth or fairy tale for the stage and to bring together Lucy, Ralph Kramden and other memorable sitcom characters in a single overlapping story for a TV special. Eventually the two plans sort of fused. Instead of the sitcom figures, the authors decided to jumble larkingly together the characters and archetypes popularized by Hans Christian Andersen and the Brothers Grimm. The strikingly original yet completely accessible result opened...
...shows, Frank's Place seems to be walking most confidently the delicate line between comedy and drama. Set in a bustling New Orleans restaurant, the series at the outset looked like a routine ensemble sitcom in the Cheers mode, but it has grown increasingly audacious and appealing. In one episode, the family of a man killed at the wheel of his truck threatens to sue the restaurant for serving him too many drinks; a white lawyer travels into the black ghetto to discover that the victim actually committed suicide. In another show, Frank (Tim Reid) is courted by a high...