Word: singers
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NAME: BETTE, FORMERLY "THE ROSE" AGE: 53 OCCUPATION: Singer, used to act in movies BEST PUNCH: Finally taking the stage after midnight, Midler took a thinly veiled swipe at Cher's canned performance, quipping, "I feel like Grace Jones, except I'm singin' live, babe...
Many vocal connoisseurs regard Ben Heppner, 42, as the real tenor of his generation. A beefy, shambling Canadian whom conductor James Levine rightly calls a "phenomenon," Heppner is the first singer in years who has the vocal heft needed for the massive Wagnerian roles that were once owned by Lauritz Melchior. No operatic appearances in 1998 were as eagerly awaited as Heppner's Lohengrin at the Met and Tristan und Isolde at the Seattle Opera, and the critical verdict was passionately positive. Small wonder: the Wagner excerpts included on his latest CD, Ben Heppner Sings German Romantic Opera (RCA Victor...
...possible, of course, that the next really big male opera singer may not be a tenor. Ask Joseph Volpe, the Met's general manager, what he is planning to do when Pavarotti and Domingo are no longer available to open the season, and the first name he mentions is that of Welsh bass-baritone Bryn Terfel. "At some point," he confides, "we're going to open with a Don Giovanni starring Bryn." No, Terfel can't sing a high C, but Volpe is betting that won't matter. "Bryn's the one who has all of the goods," he says...
...might well expect a record by a teenage pop singer to be overly emotional, earnest, bursting with hormonal passions. But 17-year-old Britney Spears' first album feels like the opposite of adolescence: the songs are mostly slick and remote, steering away from anything that's too deeply felt. The title track is cuddly, though, and already a hit single. A few of her songs, including the pleasantly modern ballad E-Mail My Heart, indeed deliver a sugar high, and may well win over the very same crowd that goes for tot-pop acts like the Spice Girls and Brandy...
...album, like his last, which went double platinum, is seething with viciousness and violence. His lyrics--often simple and clumsy--attack other black people, homosexuals and women. DMX is at his best when he becomes more contemplative, as he does in Coming From, a moving ballad he performs with singer Mary J. Blige. Attacking minorities isn't the most original notion, and it's also rather cowardly. Why not have the guts to challenge the powerful...