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Other events included discussion forums and a concert by Wang Lee-Hom, a popular singer in Taiwan and Asia who was recently on the Asian Billboard...

Author: By Eric S. Barr, CONTRIBUTING WRITER | Title: BITSA Discusses Taiwanese Identity | 11/8/1999 | See Source »

...game, with the diamond ring scoring $770,000 from an anonymous buyer. Among the less eternal items, which nevertheless sold big during the auction of Monroe memorabilia, were a makeup case (with used cosmetics), which sold for $266,000, and six pictures of her dog that fetched $222,500. Singer Mariah Carey laid out $660,000 for a piano, and designer Tommy Hilfiger ponied up $112,000 for jeans and cowboy boots. The sale's highest price went to an item with perhaps the least to show for itself: owners of a collectibles shop paid nearly $1.3 million...

Author: /time Magazine | Title: People: Nov. 8, 1999 | 11/8/1999 | See Source »

Like shards from a shattered mirror, Fiona Apple's new album, When the Pawn Hits... (Clean Slate/Epic), glitters with reflective surfaces and sharp edges. The singer-songwriter's debut album, Tidal (1996), was a work of ingenue ingenuity, delicately designed, bright with innocence, laden with the prospect of future accomplishment. This follow-up CD is a promise kept: the 22-year-old's new compositions, angry but articulate, veering between gentle balladry and art-pop, don't need the crutch of precociousness to establish their worth. These are songs that stand on their...

Author: /time Magazine | Title: Music: Facing a Broken Mirror | 11/8/1999 | See Source »

DIED. HOYT AXTON, 61, folksy singer-songwriter best known for the 1970s Three Dog Night hit Joy to the World; of complications from a stroke; in Victor, Mont. The sometime actor's offbeat tunes--with titles like Boney Fingers and The No No Song--were recorded by Ringo Starr, Linda Ronstadt and John Denver...

Author: /time Magazine | Title: Milestones Nov. 8, 1999 | 11/8/1999 | See Source »

...success. But I worry. See, the dancers can really only last 10-15 minutes at a time because the intensity and energy required for a particular number is excruciating. So the rest of the time is filler--often thuddingly, anachronistic, cliched, diluted filler. At one point, a blues singer launches into almost a mini-opera about liberation from bondage (I confused it for a Civil War hymn at first)--it entirely changes the show's tone. Seconds later, of course, the bouncing Irish return to claim their stage. But the most egregious offense comes a few acts later. A group...

Author: By Soman S. Chainani, CRIMSON STAFF WRITER | Title: Soman's IN THE [K]NOW: A Pop Culture Compendium | 11/5/1999 | See Source »

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