Word: singers
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Dates: during 1950-1959
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...without thought of fee, at society charity events. Singing at a heart-clinic benefit at the Place Pigalle nightclub on Manhattan's West 52nd Street in 1934, she so impressed the manager that he offered her a paying job. So began a four-year career as a torch singer, which took her into the spotlights of Manhattan's flossiest nightclubs, brought upwards of $1,000 a week. Symington, a lot less famous in those years than his wife, followed her nightclub trail, building up an undeserved reputation as a playboy...
Whether Robinson's parade of big names can come near to sustaining a Bergman level of virtuosity for a full season is a question of performance. Two weeks ago Robinson came close to failure with The Jazz Singer, starring Jerry Lewis. But Producer Robinson has a reputation for imagination and drive, carved as program boss of CBS, a job he held for a dozen years, until last summer. It was Robinson who patiently brought along young producers and writers, prodded them to "think offbeat," helped develop such CBS shows as Playhouse go, See It Now, Twentieth Century...
United Artists) is a thriller that makes a peculiar plea for racial integration in the underworld. The hero (Harry Belafonte, who is also the producer) is a singer in a Harlem hotspot who signs on for a bank robbery to pay off his bookie. Unhappily, once he is in, he discovers that another member of the gang is a paranoid punk from Oklahoma (Robert Ryan) who would sooner risk the bundle than his sense of white supremacy. The punk calls the Negro "Brother Bones," and warns him not to "crap out" on the job. "Ah been handlin' [Negroes...
...most opulent dramatic soprano voice in the land belongs to a singer rarely seen on an opera stage: 39-year-old Eileen Farrell. For more than a decade Singer Farrell has been dazzling audiences and critics alike from concert-hall stages. But partly because of her size (5 ft. 6 in., 185 lbs.), partly because of her wooden acting, she did not appear in a fully staged opera until 1956 (Cavalleria Rusticana in Florida). Since then, she has made occasional guest appearances-IL Trovatore and La Gioconda with the Chicago Lyric Opera, Medea and Ariadne auf Naxos with...
...whack"; then he had third thoughts, started to sue Enright for the other $9,500, got it. Apple-cheeked Kirsten Falke, then only 16, was picked up for Twenty One's penny-ante sister show, Tic Tac Dough, when she answered a call to audition as a folk singer. This led her to the office of Tic Tac Dough Producer Howard Felsher, who gave her answers and hints that she would get her big chance to sing on the show. "I botched it up," recounted poor Kirsten. She had asked for her categories in the wrong order and pocketed...