Word: singe
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Dates: during 2000-2000
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Finkelstein says there are now lots of people in the department who have time to sing in choruses or be on sports teams. Students who get involved in such extra-curricular activities now know their fellow students value such activity...
...Jones just sounds so sad, it's painful. He's as sad-sounding as Hank Williams at his most abject. Of course, the difference is that Jones can sing, whereas Williams can only wail. Some words are clipped, some are stretched and played with, as only Jones can do. Some lines are almost whispered; others cried out - all beautifully set up by man who really understands what to do with lyrics. It's a pity that this is not a better recording, because the musicianship is also mighty tasty, with some pulsating pedal steel, a well-stroked fiddle...
DIED. JULIE LONDON, 74, actress and breathy pop phenom whose 1955 song Cry Me a River sold more than a million copies; in Los Angeles. Honed in nightclubs, London's hushed, smoked-out voice made hits of Around Midnight and My Heart Belongs to Daddy. Encouraged to sing by second husband Bobby Troup, writer of Route 66, London released more than 30 albums. In 1972 her first husband, Jack Webb, hired London and Troup to appear as nurse Dixie McCall and Dr. Joe Early on TV's Emergency...
...though the sequences had been performed on a single instrument. From lyrical legatos to graceful pizzicatos, the three seemed to draw the best out of one another's sound. At one especially triumphant arrival, the passionate Meneses had his eyebrows furrowed painfully as Pressler perhaps unconsciously began to sing at the piano. In the third movement, Pressler showed again the flair of a seasoned performer as he maintained a strong rhythm and constant tempo that kept the anxious intensity. Kim was the great showman in the playful fourth movement. His energy propelled not only his bowstrokes, but also his limbs...
Like the pre-Disney Elton John, Williams is blessed with the rarest of pop assets--a sense of humor. As a refugee from the English boy band Take That, Williams pretty much had to learn how to sing with his tongue in his cheek; and here, on the ridiculously camp Rock DJ and the Gloria Gaynor-needling Supreme, he proves that high-energy, danceable pop can be funny for the right reasons. When called upon (Better Man, The Road to Mandalay), he can also sell a song like a more traditional emoter, but what fun is that...