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Such growing influence may be considered good or bad, but either way it is probably unavoidable. "Indisputably, Germany is going to occupy a totally dominant position in the years to come," says Simon Petermann, professor of international relations at Brussels Free University. "That's a position that, in many respects, the Germans have long held. The difference now is that the old formula casting Germany as an economic giant and a political dwarf no longer holds true...

Author: /time Magazine | Title: Europe The New Germany Flexes Its Muscles | 4/13/1992 | See Source »

James is at their best in their dance tunes, but they display almost equal proficiency in some other styles. "Next Lover," their soft, lyrical love song, is reminiscent of Simon and Garfunkel's "Scarborough Fair." Its simple, pretty lyrics, combined with the gentle weaving of guitars in the background, create a soothing, lullaby effect...

Author: By Phoebe Cushman, | Title: Danceable, Creative Pain | 4/9/1992 | See Source »

...People was the first and best of these films. It is the story of Irena Dubrovna (Simone Simon), a beautiful young Serbian woman who is cursed to turn into a panther whenever she is sexually aroused. Obviously, love is a dangerous thing...

Author: By Peter D. Pinch, | Title: For a Subtle Chill | 4/2/1992 | See Source »

...younger audiences and allowing more plays to have larger-scale life, some theater leaders fret that they may be doing themselves long-term harm, creating a costly or even unsustainable expectation that every show will have a splash of celebrity. Says Emanuel Azenberg, who produces Neil Simon's work: "The real problems the theater has are not solved by a momentary sense of breath that the stars bring us." Instead of thinking about how to cut costs and reach a broader audience, producers who employ stars typically have to accede to higher salaries and shorter runs and thus raise ticket...

Author: /time Magazine | Title: Give My Regards To Malibu | 3/30/1992 | See Source »

...share in the sweaty embraces of Alec Baldwin and Jessica Lange? They are entwined in A Streetcar Named Desire. Prefer the wry wit of Alan Alda or the in-your-face comic angst of Judd Hirsch? They play beleaguered husbands and failed fathers in splendid new tragicomedies from Neil Simon and Herb Gardner. If your taste runs to grandes dames, Rosemary Harris enacts the mean matriarch in Simon's previous play, Lost in Yonkers, while Lynn Redgrave evokes the aggrieved wife of a self-anointed genius in Ibsen's The Master Builder...

Author: /time Magazine | Title: Give My Regards To Malibu | 3/30/1992 | See Source »

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