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...outset he jumped the gun. To avoid a repeat and disqualification, he held back for a crucial moment at the second gun, then bore down to make up for lost time. He went down suddenly in the first turn, clipping Japanese Skater Yasushi Kuroiwa and slamming into the sideboard. Looking back, he said that he might have been pushing too hard. It seemed as likely though that emotional pressure had made a difficult curve impossible...

Author: /time Magazine | Title: Olympics: The Fall and Rise of Dan Jansen | 2/29/1988 | See Source »

There are ideal juxtapositions, as with the Chippendale sideboard, wine cooler and pedestaled urns from Harewood House, whose rich tones of rosewood and satinwood are echoed and amplified in the glossy coats of the Stubbs horses hanging above them, borrowed from a different estate. The cast list of painters and sculptors, silversmiths, ebenistes and potters is immense, and though there are disappointments--Turner, for instance, is poorly represented --there are also some startling moments. It would be difficult to find a clearer or fresher Canaletto than his view of the Thames from Richmond House, for instance, or a more precocious...

Author: /time Magazine | Title: Art: Brideshead Redecorated | 11/11/1985 | See Source »

...belong to a spacious mansion located on isolated and foggy cliffs, if the house is filled with unexpected and not altogether reputable guests, if, in particular, a wandering lunatic has just dropped in for tea, you will undoubtedly find a dead body lying behind the divan or under the sideboard. The laws of the country house weekend require it. The cast of wonderfully suspicious characters who have gathered in the neighborhood--the long-lost cousins and tormented heiresses--would feel cheated without one, the butler would probably lose...

Author: By Sarah Paul, | Title: Whodunit With a Twist | 11/11/1982 | See Source »

...photographic modernism-Edward Steichen, Clarence White and Alvin Langdon Coburn, with their "symbolist," tremulous images of tree and field. In these artful and decorous prints, as Szarkowski remarks, "Nature has become ... a part of the known habit and syntax of art, like fruit or flowers arranged on the sideboard." After them, the problem was to recomplicate the game of seeing; to show how the camera could deal with what was neither familiar in landscape nor quite amenable to the given pictorial conventions. Edward Weston did this with closeups on natural detail-the ribbed flank of a sand dune, the tiny...

Author: /time Magazine | Title: Photography: From the Sublime to Graffiti | 9/14/1981 | See Source »

Hughes turned to Holmes and said, "Get some insulation for our friend to put his equipment on." Holmes got a roll of paper towels and laid out a layer on a nearby sideboard. The sideboard was already covered with a sheet, and so was the other furniture in the bedroom...

Author: /time Magazine | Title: The Nation: Scenes from the Hidden Years | 12/13/1976 | See Source »

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