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Word: showness (lookup in dictionary) (lookup stats)
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...while, you felt insecure debating on The View because you didn't grow up in a household where you talked about politics. When you started on the show, what did you feel you brought to the table? I brought a certain realness to the table, of just being a regular working woman. Yes, I've worked on sitcoms, but I wasn't Star Jones, I wasn't a legal analyst, I wasn't a political pundit. I brought that everyday-woman point of view to it. I wasn't afraid to say I didn't know what stuff meant...

Author: /time Magazine | Title: The View Co-Host Sherri Shepherd | 10/16/2009 | See Source »

...best cars from the 2009 Detroit Auto Show...

Author: /time Magazine | Title: Flint, Michigan: Electric Cars Bring Revival Hopes | 10/16/2009 | See Source »

...September 26, “Saturday Night Live” started off its 35th season with a bang—or, more accurately, a bomb. In her first appearance on the show, as a biker chick who overuses the word “freaking,” featured player Jenny Slate accidentally said “fucking” on-air. This story has been blogged, reblogged, and re-reblogged ad infinitum over the last few weeks. It appeared in newspapers and magazines from “The New York Times” to “Entertainment Weekly...

Author: By Molly O. Fitzpatrick, CONTRIBUTING WRITER | Title: No Real Need to Shelter From the F-Bomb | 10/16/2009 | See Source »

...cuts in favor of live 4-track recordings. The result was what one would expect when condensing a room full of pummeling drums and gut-wrenching bass amplifiers down to anemic laptop speakers, tinny iPod headphones, or muddy home stereos: while it reminded a lucky few of that crazy show they saw in a dirty Providence loft, to the rest of us it sounded underpowered and underwhelming. Subsequent releases improved the recording quality, but still sought to capture the spontaneity of a live show, using very little production and emphasizing improvisation over formal composition...

Author: By Mark A. VanMiddlesworth, CRIMSON STAFF WRITER | Title: Lightning Bolt | 10/16/2009 | See Source »

...completion of Lightning Bolt’s transition from grasping at their elusive live sound to crafting a full-fledged studio album. The differences from 2005’s “Hypermagic Mountain” are small but significant, taking the band beyond mere reproduction of a live show. The wider sonic range afforded by proper mic placement and high-end recording equipment gives bassist Brian Gibson’s densely layered effects a bit of breathing room, revealing a textural intricacy that is lost in live performance. On “The Sublime Freak”, Gibson?...

Author: By Mark A. VanMiddlesworth, CRIMSON STAFF WRITER | Title: Lightning Bolt | 10/16/2009 | See Source »

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