Word: showã
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Fischer hinted, however, that the audience will likely hear compositions by Beethoven—as suggested by the show??s tagline, “Beethoven in Bars”—as well as brand new pieces. “We have some newly commissioned works from young composers... we just received them this past month. If we’re lucky, we’ll try to play some of that,” she says...
...Donkey Show?? was any indication, this is not necessarily a crowd the Oberon staff is adverse to, even if they did believe that it’s the type a burlesque troupe would attract—which they don’t. By encouraging and inviting troupes to perform there, they hope that the high quality theater space and audio and lighting equipment will lend burlesque troupes not only the proper materials to create their spectacles but also some artistic legitimacy. And while “The Slutcracker” has had success at the Somerville Theatre...
...variety show format still allows, however, for a variety in reception, from the academic assessment of its cultural significance to the performative success; from the show??s intended political or social message to its raw entertainment value...
...that it’s a charming show,’” Sondheim recalled. When Sondheim replaced “Love is in the Air” with a new song, “Comedy Tonight,” there was an almost instant change in the show??s reception. “Comedy Tonight” is a farcical number that prepares the audience for what Sondheim described as “low comedy presented in an elegant...
iDance was a collaboration between the Mainly Jazz Company (co-directed by Crystal Chang ’10 and Iris Odstrcil ’10) and TAPS (directed by Caitlin D. Driscoll ’11). The show??s program alternated between pieces by the two groups, with a finale performed by both. While the two troupes featured well-thought out pieces, Mainly Jazz was often more imaginative in its dances, performing stories as well as movement. TAPS’ arrangements were technically sound, but at times creatively restrained...