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Dead-End Kid. The gift from God came into the world Jan. 31, 1921. Mario (real name: Alfredo Arnold Cocozza) was born and grew up in South Philadelphia. As part of the self-made Lanza legend, he sometimes likes to shock friends or interviewers by painting a lurid picture of his old neighborhood as a hotbed of crime, where stray gangster bullets might have nipped his career at any moment. Outraged by some of the tall tales, South Philadelphians once hurled stones and tomatoes at Lanza's grandfather's home, and made a public ceremony of smashing...

Author: /time Magazine | Title: Cinema: Million-Dollar Voice | 8/6/1951 | See Source »

Gromaire's impressionistic Manhattan, on show in Paris last week, is an overwhelming place. His Brooklyn Bridge is a gigantic stone and steel hammock slung between topless towers. Times Square at Night is a glaring latticework of light and darkness. "The shock of Times Square was almost brutal," Gromaire says. "I have seen photos and colored prints of the 'Great White Way,' but they are empty and meaningless when compared with reality...

Author: /time Magazine | Title: Art: Frenchman in Manhattan | 7/30/1951 | See Source »

After adjusting to the pleasant shock of being ushered to a seat practically in the stage set living room of Mrs. Wislack, played by Louise Licklider, the acting of our hostess is a disappointment. Amateurish and typed seems a fair description also of the efforts of William Siebert as a Duke. The best acting in the play was done by Edward Sostek who did a fine portrayal of a henpecked hunted man. Norman Ashton's direction is also effective...

Author: NO WRITER ATTRIBUTED | Title: Tufts 'Round' Theatre | 7/12/1951 | See Source »

...None showed signs of food or other poisoning. No intestinal parasites have been found. The victims were not neurotic. The only clue: many went to bed after a heavy meal, which might cause wild dreams. It has been suggested that the terror conceivably could lead to a fatal "reflex shock...

Author: /time Magazine | Title: Medicine: Nightmare Death | 6/25/1951 | See Source »

...succession of moments that make captions superfluous (Duncan uses none). To capture such moments, Duncan had to become, in effect, a front-line soldier. Only in that way could he get close enough to photograph the grenade in flight, the finger squeezing the trigger, the first instant of surprised shock of the wounded...

Author: /time Magazine | Title: Books: Men in Combat | 6/25/1951 | See Source »

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