Word: shocked
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Dates: during 1990-1999
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...sensibilities. Heads splatter, skulls explode, biker punks torture folks for the sheer heck of it, and a pair of loopy innocents find excitement in a side trip to hell. Pretty much like Blue Velvet. Yes, it's different, but the same kind of different; Lynch could no longer shock by being shocking. Many critics figured they had solved the mystery of his visual style and thematic preoccupations. Next mystery, please. By August, when the film opened in the U.S., the Lynch mob was more like a lynch...
...taken the family to the Netherlands in the 1950s.) A bookish loner in school, Duke sought out extremist mentors who treated him as a brilliant young disciple. With contemporaries he was condescending or defiant, moving to a deeper rhythm of history than they could be aware of, trying to shock them into submission with "street theater" involving swastikas and Klan robes...
...downtown, and renamed the company Silverado, evoking the dreams of prospectors in the days of the Wild West. Silverado was only the 26th largest S&L in the state, with total assets of $56 million and five offices, but it was ready to go places. Propelled by the oil shock of 1979, petroleum prices were rocketing upward and providing fuel for a ferocious building boom...
Even as jail doors slammed behind Keating, who remained in prison pending his arraignment next month, shock waves from the thrift crisis rippled across the U.S. The impact contributed to the budget deadlock in Washington and aggravated the slump in real estate prices in cities glutted with condominiums and office towers. In Denver federal regulators filed a $200 million lawsuit against the President's son Neil Bush and 10 other officials of the failed Silverado S&L, charging them with "gross negligence." Meanwhile, Neil Bush prepared to respond this week to previous federal charges that he abused his role...
...dialogue rather than any inspirational staging. The set is appropriately barren, and the difference of agreement between the two characters is highlighted with a minimum of movement. One clever touch is Belgrader's decision to spice the 18th Century satire with modern references and expletives; they serve both to shock the audience into attention and remind us that the script has meaning for contemporary society. Another is Shalhoub's coughing jag, with its reference to Topol's song "If I Were a Rich Man" from Fiddler on the Roof...