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Word: shifting (lookup in dictionary) (lookup stats)
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...childhood of O. F. Leonova." There is Deputy Bach, 82, exiled in 1878, whose record begins, "A. N. Bach has lived a long and beautiful life." There is Alexander Bussy-gin, 32, who was so electrified during the Stakhanov movement that he forged 1,001 crankshafts in one shift (675 was the norm), 1,005 the next, 1,015 the third...

Author: /time Magazine | Title: RUSSIA: Dreams and Realities | 5/29/1939 | See Source »

...Many astronomers, including Dr. Hubble, suspect nowadays that the "Expanding Universe"' may be an illusion instead of a reality. For relatively nearby objects, however, the spectrum shift is taken as a valid measure of velocity...

Author: /time Magazine | Title: Science: Many Motions | 5/29/1939 | See Source »

Between the puddles: the shift of stroke and two men on the Navy crew, found the Middles rowing an entirely different race, a week start and finish, but a strong middle race . . . Ptomaine poisoning ravaged the Penn crew this week leaving them a meagre 12 hours of practice. They still rowed a strong finish race and almost nabbed Navy . . . The Penn Freshman had a tragic finish: ahead of the Plebes, a crab threw them out of joint near the finish

Author: By William W. Tyng, | Title: Crimson Oarsmen Sink Navy With Withering Final Sprint | 5/22/1939 | See Source »

This represents a complete shift in classical feeling on the way in which a trumpet should be played. For years, this reviewer has been getting in trouble with certain classical acquaintances because he insisted that the average trumpet man in a symphony orchestra plays without feeling, without life, concentrating on getting a nice, pure classical tone--which doesn't convey the slightest bit of emotion or feeling. Same idea as boiled and ordinary water. One may be a little more impure, but it certainly is more palatable...

Author: By Michael Levin, | Title: Swing | 5/12/1939 | See Source »

...modern times, and the place of Paul Hindemith, who is playing tomorrow night in Paine Hall, is at the head of this movement. He represents a general turn from the grandiose conception of music and musicians nurtured in the romantic era. This change of attitude consists of a shift of emphasis from the idea of an artist as a man removed from the ordinary course of life by his inspiration and genius to the conception of an artist as an excellent workman--one who intends his product for use in every-day life. It is an ideal very close...

Author: NO WRITER ATTRIBUTED | Title: The Music Box | 4/18/1939 | See Source »

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