Word: shallowing
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Plans for such an attempt were actually laid before the British War Council in 1914. They were offered as an alternative to the Dardanelles Campaign for attacking Germany from the rear. They were drafted by John Arbuthnot, Admiral Baron Fisher of Kilverstone who proposed a fleet of 612 shallow-draft boats, mostly transports, which would transit the Baltic approaches at whatever cost and land Russian troops picked up at Riga, on the Pomeranian Coast. The transports' passage around Denmark would be protected by the British Fleet's engaging the German Fleet...
...naval attempt at the Baltic will be seen in World War II. Though the German Navy is this time far weaker (42 ships v. 254 for the Allies), this time the Russians (with 28 more ships) cannot be counted on to join a march against Berlin, even if a shallow-draft armada should push through. Besides submarines, the Gate-crashers would now have to cope with large minefields at the outlet of the three narrow channels to the Baltic, as well as bombing planes...
...models. The Germans use a new 105 mm. howitzer while the French rock along with antiquated Seventy-fives. Some professionals also contend that French rifles are out-of-date, "tall as the Eiffel Tower," hence difficult to conceal, whereas the Germans use a short carbine that snuggles neatly into shallow trenches and shell holes; that German anti-aircraft equipment is excellent, while the British, who need it more, are just beginning to approach bare minimum safety strength...
...William J. Shallow...
...Kaplan, until an immigration official wrote it to suit his own ears. Copland is tall, energetic, large-nosed, engagingly toothy. He began studying music at 13. In the early 19205, as a student at Fontainebleau (first pupil of famed Nadia Boulanger), he was a highbrow Gershwin, wading in the shallow stream of jazz. Then he plunged into the acid eddies of dissonance and atonality, emerged with the reputation of being one of the least understandable of U. S. musicians. Today, Copland has begun writing music for the people, for as large an audience as possible...