Word: shall
(lookup in dictionary)
(lookup stats)
Dates: all
Sort By: most recent first
(reverse)
Frodon discussed “None Shall Escape” in the context of his new book “Cinema & the Shoah,” an exploration of cinematic responses to the Holocaust. A complicated relationship between Hollywood and the Nazi Party, he explained, kept American cinema—despite its many Jewish industry leaders—from representing the Nazis negatively until nearly...
...Warner Bros. representative in Berlin by the Nazis as early as 1934. “Of course,” he added, “Hollywood also had to consider commercial concerns,” given that many Americans had conflicted views of the war. “None Shall Escape,” for example, did well at the box office but was far from a breakaway...
However, the film clearly had aspirations beyond the financial. Released just as the war was ending, it also functioned as a piece of propaganda: “None Shall Escape” opens and closes with the presiding judge of a war crimes trial directly addressing the audience, asking that justice be done in light of the trial...
...priest as a protagonist and its depiction of a rabbi urging Jews to take up arms against the Nazis. Frodon reminded the audience of the film’s political aspirations: designed to unite a fractured America behind a call to justice, “None Shall Escape” had an understandable interest in providing Americans with immediately identifiable protagonists...
...written, he says, “not to say how films about the Holocaust should or should not be made,” but rather to explore the connection between profoundly affecting art and its profoundly affecting historical origin.Whether through the viewing of films like “None Shall Escape” or the reading of books like “Cinema and the Shoah,” that connection continues to demonstrate its lasting relevance...