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...long spoken in English accents, at first because audiences admired Britain's elegant actors and urbane playwrights, then because producers came to prefer works that had been pretested in London, where costs are cheaper and audiences perhaps more forgiving. In the early '80s, dramas by Tom Stoppard and Peter Shaffer dominated the Tony Awards for plays; while in the past few years, Trevor Nunn's staging and Andrew Lloyd Webber's melodies have provided the very definition of hit musicals. This year, though, a clog is developing in the transatlantic pipeline. While London offers the customary array of starry revivals...

Author: /time Magazine | Title: Theater: London's Dry Season | 7/18/1988 | See Source »

Many of Shakespeare's plays, including Cymbeline, present history almost as fractured fairy tales. Does it matter? No, emphatically not, would be the response of the dottily romanticizing tour guide Lettice, played by Maggie Smith in Lettice and Lovage, Shaffer's rambling but zesty comedy. The first act takes place in a dreary stately home, adorned chiefly by her fanciful tales. The last rings in the movement against modern architecture, a campaign / that, thanks in part to the patronage of Prince Charles, enjoys far fiercer support in Britain than in the U.S. To Lettice, modernism scorns the past...

Author: /time Magazine | Title: Theater: London's Dry Season | 7/18/1988 | See Source »

...either too much a thriller narrative -- replete with an elaborate opening chase sequence that deliberately recalls bedroom farce in its slamming of doors and dropping of trousers -- or not enough of one to offer any real surprises. Stoppard radiates ambivalence about the genre he has chosen. Again, as with Shaffer, redemption comes from the marvelous acting of Felicity Kendal as an intelligence agent painfully aware of her shortcomings as a mother, Nigel Hawthorne as a wise colleague and, above all, Roger Rees as the defector, who is also the secret father of Kendal's schoolboy son. The spellbound...

Author: /time Magazine | Title: Theater: London's Dry Season | 7/18/1988 | See Source »

Whatever outsiders may say, both Brown and Wintour are securely established within the Conde Nast firmament. Each reportedly receives more than $200,000 a year, plus a $25,000 clothing allowance and plenty of pampering. During her stint in London, Wintour's husband David Shaffer, a prominent child psychiatrist, remained in New York City; the company paid for regular Concorde flights so they could visit each other. And some say Newhouse launched Traveler, Conde Nast's newest magazine, so that Brown's husband Editor Harold Evans would have something to do in New York...

Author: /time Magazine | Title: Press: The Dynamic Duo at Conde Nast | 6/13/1988 | See Source »

Asked to predict the outcome of the race, JohnDimarchi '91 said, "I'm hoping to get babes. Idon't feel any pressure as pre-race favoritesbecause our captain, Jeff Shaffer ['91], is fromCleveland and has a lot of experience withgarbage-filled rivers...

Author: By Lizzie S. Weinreb, | Title: Ships of Fools to Hit Charles | 4/29/1988 | See Source »

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