Word: servants
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...choice but to accept his sovereign's verdict. The Queen, for her part, could not have spoken out publicly; she would have seemed to be usurping the power of Parliament. There is a built-in fiction to the British system: namely, the Cabinet is no more than the servant of the Crown. The reverse is closer to the truth...
...month by 21st Century Communications. Ten volumes of her work have appeared in France, and recent ones have sold more than 100,000 copies each. To Roland Barthes, a leading French writer-philosopher, Bretécher is "the best French sociologist." Nouvel Observateur Editor Jean Daniel calls her "the servant of Molière." Bretécher would answer such praise with her favorite epithet, "bidon" baloney...
...version, is a little less cutesy. To begin with, there's a major shift in mood: Figaro is not straight comedy, which The Barber certainly is. Instead, it is a fairly cynical look at marriage (the four-years-later episode of Count Almaviva and Rosina's romance), the master-servant relationship (the Count repays Figaro's first act help by demanding the droit du signeur of Figaro's bride), all made more complicated than necessary by intrigues and mishaps. The cast manages generally to overcome the mood-change by keeping the tone as lighthearted as possible and by stressing funny...
...Marriage of Figaro," two eighteenth-century French comedies. Both were written by Beaumarchais, who was somewhat of a shady character; in addition to play-writing, he smuggled French guns to American revolutionaries. "The Marriage" was quite daring for its time, since it contained a speech by the servant Figaro that lamented and raged against the privileges of the nobility--some say it hastened the onset of the French Revolution. You don't want to miss something that may have contributed to the overthrow of a monarchy, do you? Figaro plays tonight, tomorrow night and Saturday; tickets available at the Loeb...
...plays gives the whole show a fascinating irony. The first play was lighter-hearted, and ended happily with the Count marrying the girl, Rosina. But in the second play, the situation changes--the Count, the hero of the first part, is trying to make off with his servant Figaro's intended bride. In the first play the servant had an alliance with the master; here he plots against his master. That was a revolutionary thing to do in France in 1784. And the audience's attitude during the first play is that we love the Count as a young buck...